American fiction -- 20th century; Georgia -- Social life and customs -- Fiction; Married women -- Fiction
Helen stood for a moment with her back to the mirror, as we all do
sometimes when we cannot bear to read in our own faces the fear we have
in our hearts. Since that night six months ago, when Cutter had left
her, she had received no word from him. She had sternly repressed every
thought of him. But never for a day had she been free from the vague
fear that he might return. She no longer loved him; she despised him.
Yet the old habit of submission--if he should return, how could she
find the courage to send him away, if he asserted his claim upon her
as his wife? She must do it. Her plans were made for a different life
altogether. But suppose now, when she was on the point of realizing
her dearest hope, this man waiting for her in the parlor should be her
husband?
She came slowly into the hall and advanced toward the open door of
the parlor. Reproaches, words inconceivable to her until this moment,
trembled upon her lips. This was her house; she had built it for her
own peace and happiness. She would not share it, not for the space of
a breath, with a man so depraved that he could betray his own wife,
abandon her--and so on and so forth as she advanced, halted, and
finally came steadily up the long hall, pale with fury, eyes blazing
blue flames, convinced by her own fears that this man was Cutter. She
was ready to deal with him according to the natural vocabulary of an
outraged woman.
For the gentlest woman, wronged, may suddenly change into a virago
after you have made sure that she will endure anything. But if she ever
breaks, it is like any other form of hysteria, incurable. She will be
subject to verbal frenzies upon the slightest provocation so long as
she lives.
For one instant Helen stood upon the threshold of her parlor,
speechless with amazement. Shaded lights cast a soft glow from above
over the room, where the faintest outline of castles showed between
shadowy trees in the wall paper. And tufted, spindle-legged chairs,
covered with blue-and-golden brocades, flashed like spots of sunlight
in the pale gray gloom.
The visitor was undoubtedly enjoying these effects. He sat, the elegant
figure of a man, on the sofa beyond the circle of light cast from the
reading lamp behind him. His knees were crossed. He was working one
foot musingly after the manner of a man pleased with his reflections.
And he was smiling--not a smile you could possibly understand, unless
you are familiar with the outlaw mind of certain rich men. But, in
case you are scandalously psychic, you might have inferred that he was
smiling at these dim castles in Helen’s wall paper as a prospective
tourist in the romantic lands, where passing rivers sing to these
castles and where scenes, centuries old, are laid for lovers.
He was so much absorbed in whatever he was trailing with his thoughts
that he had not seen Helen when she appeared in the doorway, but almost
at once some sense warned him of her presence.
Public-domain text, read in full here on John Shaqi.
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