New York (N.Y.) -- Fiction; Psychological fiction; Single women -- Fiction; Social classes -- Fiction
She dropped the MENU abruptly, with a quick heightening of colour,
and Gerty, following her glance, was aware of the advance, from an
inner room, of a party headed by Mrs. Trenor and Carry Fisher. It
was impossible for these ladies and their companions—among whom
Lily had at once distinguished both Trenor and Rosedale—not to
pass, in going out, the table at which the two girls were seated;
and Gerty’s sense of the fact betrayed itself in the helpless
trepidation of her manner. Miss Bart, on the contrary, borne
forward on the wave of her buoyant grace, and neither shrinking
from her friends nor appearing to lie in wait for them, gave to
the encounter the touch of naturalness which she could impart to
the most strained situations. Such embarrassment as was shown was
on Mrs. Trenor’s side, and manifested itself in the mingling of
exaggerated warmth with imperceptible reservations. Her loudly
affirmed pleasure at seeing Miss Bart took the form of a nebulous
generalization, which included neither enquiries as to her future
nor the expression of a definite wish to see her again. Lily,
well-versed in the language of these omissions, knew that they
were equally intelligible to the other members of the party: even
Rosedale, flushed as he was with the importance of keeping such
company, at once took the temperature of Mrs. Trenor’s cordiality,
and reflected it in his off-hand greeting of Miss Bart. Trenor, red
and uncomfortable, had cut short his salutations on the pretext of
a word to say to the head-waiter; and the rest of the group soon
melted away in Mrs. Trenor’s wake.
It was over in a moment—the waiter, MENU in hand, still hung on
the result of the choice between COUPE JACQUES and PECHES A LA
MELBA—but Miss Bart, in the interval, had taken the measure of her
fate. Where Judy Trenor led, all the world would follow; and Lily
had the doomed sense of the castaway who has signalled in vain to
fleeing sails.
Public-domain text, read in full here on John Shaqi.
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