New York (N.Y.) -- Fiction; Psychological fiction; Single women -- Fiction; Social classes -- Fiction
Carry Fisher, on the strength, as she frankly owned, of the
Brys’ Newport success, had taken for the autumn months a small
house at Tuxedo; and thither Lily was bound on the Sunday after
Dorset’s visit. Though it was nearly dinner-time when she arrived,
her hostess was still out, and the firelit quiet of the small
silent house descended on her spirit with a sense of peace and
familiarity. It may be doubted if such an emotion had ever before
been evoked by Carry Fisher’s surroundings; but, contrasted to
the world in which Lily had lately lived, there was an air of
repose and stability in the very placing of the furniture, and in
the quiet competence of the parlour-maid who led her up to her
room. Mrs. Fisher’s unconventionality was, after all, a merely
superficial divergence from an inherited social creed, while the
manners of the Gormer circle represented their first attempt to
formulate such a creed for themselves.
It was the first time since her return from Europe that Lily had
found herself in a congenial atmosphere, and the stirring of
familiar associations had almost prepared her, as she descended
the stairs before dinner, to enter upon a group of her old
acquaintances. But this expectation was instantly checked by the
reflection that the friends who remained loyal were precisely those
who would be least willing to expose her to such encounters; and
it was hardly with surprise that she found, instead, Mr. Rosedale
kneeling domestically on the drawing-room hearth before his
hostess’s little girl.
Rosedale in the paternal role was hardly a figure to soften Lily;
yet she could not but notice a quality of homely goodness in his
advances to the child. They were not, at any rate, the premeditated
and perfunctory endearments of the guest under his hostess’s
eye, for he and the little girl had the room to themselves; and
something in his attitude made him seem a simple and kindly being
compared to the small critical creature who endured his homage.
Yes, he would be kind—Lily, from the threshold, had time to
feel—kind in his gross, unscrupulous, rapacious way, the way of the
predatory creature with his mate. She had but a moment in which
to consider whether this glimpse of the fireside man mitigated
her repugnance, or gave it, rather, a more concrete and intimate
form; for at sight of her he was immediately on his feet again, the
florid and dominant Rosedale of Mattie Gormer’s drawing-room.
Public-domain text, read in full here on John Shaqi.
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