New York (N.Y.) -- Fiction; Psychological fiction; Single women -- Fiction; Social classes -- Fiction
The environment in which Lily found herself was as strange to her
as its inhabitants. She was unacquainted with the world of the
fashionable New York hotel—a world over-heated, over-upholstered,
and over-fitted with mechanical appliances for the gratification
of fantastic requirements, while the comforts of a civilized life
were as unattainable as in a desert. Through this atmosphere of
torrid splendour moved wan beings as richly upholstered as the
furniture, beings without definite pursuits or permanent relations,
who drifted on a languid tide of curiosity from restaurant to
concert-hall, from palm-garden to music-room, from “art exhibit” to
dress-maker’s opening. High-stepping horses or elaborately equipped
motors waited to carry these ladies into vague metropolitan
distances, whence they returned, still more wan from the weight of
their sables, to be sucked back into the stifling inertia of the
hotel routine. Somewhere behind them, in the background of their
lives, there was doubtless a real past, peopled by real human
activities: they themselves were probably the product of strong
ambitions, persistent energies, diversified contacts with the
wholesome roughness of life; yet they had no more real existence
than the poet’s shades in limbo.
Lily had not been long in this pallid world without discovering
that Mrs. Hatch was its most substantial figure. That lady, though
still floating in the void, showed faint symptoms of developing
an outline; and in this endeavour she was actively seconded by
Mr. Melville Stancy. It was Mr. Stancy, a man of large resounding
presence, suggestive of convivial occasions and of a chivalry
finding expression in “first-night” boxes and thousand dollar
bonbonnieres, who had transplanted Mrs. Hatch from the scene of
her first development to the higher stage of hotel life in the
metropolis. It was he who had selected the horses with which she
had taken the blue ribbon at the Show, had introduced her to the
photographer whose portraits of her formed the recurring ornament
of “Sunday Supplements,” and had got together the group which
constituted her social world. It was a small group still, with
heterogeneous figures suspended in large unpeopled spaces; but Lily
did not take long to learn that its regulation was no longer in Mr.
Stancy’s hands. As often happens, the pupil had outstripped the
teacher, and Mrs. Hatch was already aware of heights of elegance
as well as depths of luxury beyond the world of the Emporium. This
discovery at once produced in her a craving for higher guidance,
for the adroit feminine hand which should give the right turn
to her correspondence, the right “look” to her hats, the right
succession to the items of her MENUS. It was, in short, as the
regulator of a germinating social life that Miss Bart’s guidance
was required; her ostensible duties as secretary being restricted
by the fact that Mrs. Hatch, as yet, knew hardly any one to write
to.
Public-domain text, read in full here on John Shaqi.
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