New York (N.Y.) -- Fiction; Psychological fiction; Single women -- Fiction; Social classes -- Fiction
“I don’t know,” she said, when he had ceased to speak, “why you
imagine me to be situated as you describe; but as you have always
told me that the sole object of a bringing-up like mine was to
teach a girl to get what she wants, why not assume that that is
precisely what I am doing?”
The smile with which she summed up her case was like a clear
barrier raised against farther confidences: its brightness held
him at such a distance that he had a sense of being almost out of
hearing as he rejoined: “I am not sure that I have ever called you
a successful example of that kind of bringing-up.”
Her colour rose a little at the implication, but she steeled
herself with a light laugh. “Ah, wait a little longer—give me a
little more time before you decide!” And as he wavered before her,
still watching for a break in the impenetrable front she presented:
“Don’t give me up; I may still do credit to my training!” she
affirmed.
Chapter 10
“Look at those spangles, Miss Bart—every one of ’em sewed on
crooked.”
The tall forewoman, a pinched perpendicular figure, dropped the
condemned structure of wire and net on the table at Lily’s side,
and passed on to the next figure in the line.
There were twenty of them in the work-room, their fagged profiles,
under exaggerated hair, bowed in the harsh north light above
the utensils of their art; for it was something more than an
industry, surely, this creation of ever-varied settings for the
face of fortunate womanhood. Their own faces were sallow with the
unwholesomeness of hot air and sedentary toil, rather than with any
actual signs of want: they were employed in a fashionable millinery
establishment, and were fairly well clothed and well paid; but the
youngest among them was as dull and colourless as the middle-aged.
In the whole work-room there was only one skin beneath which the
blood still visibly played; and that now burned with vexation as
Miss Bart, under the lash of the forewoman’s comment, began to
strip the hat-frame of its over-lapping spangles.
To Gerty Farish’s hopeful spirit a solution appeared to have been
reached when she remembered how beautifully Lily could trim hats.
Instances of young lady-milliners establishing themselves under
fashionable patronage, and imparting to their “creations” that
indefinable touch which the professional hand can never give, had
flattered Gerty’s visions of the future, and convinced even Lily
that her separation from Mrs. Norma Hatch need not reduce her to
dependence on her friends.
Public-domain text, read in full here on John Shaqi.
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