The Van Osburgh marriage was celebrated in the village church near the paternal estate on the Hudson. It was the “simple country wedding” to which guests are convoyed in special trains, and from which the hordes of the uninvited have to be fended off by the intervention of the police. While these sylvan rites were taking place, in a church packed with fashion and festooned with orchids, the representatives of the press were threading their way, note-book in hand, through the labyrinth of wedding presents, and the agent of a cinematograph syndicate was setting up his apparatus at the church door. It was the kind of scene in which Lily had often pictured herself as taking the principal part, and on this occasion the fact that she was once more merely a casual spectator, instead of the mystically veiled figure occupying the centre of attention, strengthened her resolve to assume the latter part before the year was over. The fact that her immediate anxieties were relieved did not blind her to a possibility of their recurrence; it merely gave her enough buoyancy to rise once more above her doubts and feel a renewed faith in her beauty, her power, and her general fitness to attract a brilliant destiny. It could not be that one conscious of such aptitudes for mastery and enjoyment was doomed to a perpetuity of failure; and her mistakes looked easily reparable in the light of her restored self-confidence. A special appositeness was given to these reflections by the discovery, in a neighbouring pew, of the serious profile and neatly-trimmed beard of Mr. Percy Gryce. There was something almost bridal in his own aspect: his large white gardenia had a symbolic air that struck Lily as a good omen. After all, seen in an assemblage of his kind he was not ridiculous-looking: a friendly critic might have called his heaviness weighty, and he was at his best in the attitude of vacant passivity which brings out the oddities of the restless. She fancied he was the kind of man whose sentimental associations would be stirred by the conventional imagery of a wedding, and she pictured herself, in the seclusion of the Van Osburgh conservatories, playing skillfully upon sensibilities thus prepared for her touch. In fact, when she looked at the other women about her, and recalled the image she had brought away from her own glass, it did not seem as though any special skill would be needed to repair her blunder and bring him once more to her feet.