It mattered nothing to him that his exactions made the men rebellious. For such offences there were suitable punishments (there are some people who reason in this way), and with these rascals of convicts there was nothing to do but to treat them very severely, deal with them strictly according to law. These incapable executants of the law did not in the least understand that to apply the law without understanding its spirit is to provoke resistance. They are quite astonished that, in addition to the execution of the law, good sense and a sound head should be expected from them. The last condition would appear to them quite superfluous; to require such a thing is vexatious, intolerant. However this may be, the Sergeant-Major made no objection to the performance, and that was all the convicts wanted. I may say in all truth that if throughout the holidays there were no disorders in the convict prison, no sanguinary quarrels, no robberies, that must be attributed to the convicts being permitted to organise their performance. I saw with my own eyes how they got out of the way of those of their companions who had drunk too much, and how they prevented quarrels on the ground that the representation would be forbidden. The non-commissioned officer made the prisoners give their word of honour that they would behave well, and that all would go off quietly. They gave it with pleasure, and kept their promise religiously. They were much flattered at finding their word of honour accepted. Let me add that the representation cost nothing, absolutely nothing, to the authorities, who were not called upon to spend a farthing. The theatre could be put up and taken down within a quarter of an hour; and, in case an order stopping the performance suddenly arrived, the scenery could have been put away in a second. The costumes were concealed in the convicts’ boxes; but first of all let me say how our theatre was constructed, what were the costumes, and what the bill, that is to say, the pieces that were to be played. To tell the truth, there was no written playbill, not, at least, for the first representation. It was ready only for the second and third. Baklouchin composed it for the officers and other distinguished visitors who might deign to honour the performance with their presence, including the officer of the guard, the officer of the watch, and an Engineer officer. It was in honour of these that the playbill was written out. It was supposed that the reputation of our theatre would extend to the fortress, and even to the town, especially as there was no theatre at N----: a few amateur performances, but nothing more. The convicts delighted in the smallest success, and boasted of it like children.