The house of the dead : $b or, Prison life in SiberiaDostoyevsky, Fyodor
General
The house of the dead : $b or, Prison life in Siberia
Dostoyevsky, Fyodor
Exiles -- Fiction; Siberia (Russia) -- Fiction
They played scarcely anything but dance tunes. At the most exciting
passages they struck with their fingers on the body of their
instruments. The tone, the execution of the motive, were always original
and distinctive. One of the guitarists knew his instrument thoroughly.
It was the gentleman who had killed his father. As for the tambourinist,
he really did wonders. Now he whirled round the disk, balanced on one of
his fingers; now he rubbed the parchment with his thumb, and brought
from it a countless multitude of notes, now dull, now brilliant.
At last two harmonigers join the orchestra. I had no idea until then of
all that could be done with these popular and vulgar instruments. I was
astonished. The harmony, but, above all, the expression, the very
conception of the motive, were admirably rendered. I then understood
perfectly, and for the first time, the remarkable boldness, the
striking abandonment, which are expressed in our popular dance tunes,
and our village songs.
At last the curtain rose. Every one made a movement. Those who were at
the back raised themselves upon the point of their feet; some one fell
down from his log. At once there were looks that enjoined silence. The
performance now began.
I was seated not far from Ali, who was in the midst of the group formed
by his brothers and the other Circassians. They had a passionate love of
the theatre, and did not miss one of our evenings. I have remarked that
all the Mohammedans, Circassians, and so on, are fond of all kinds of
representations. Near them was Isaiah Fomitch, quite in a state of
ecstasy. As soon as the curtain rose he was all ears and eyes; his
countenance expressed an expectation of something marvellous. I should
have been grieved had he been disappointed. The charming face of Ali
shone with a childish joy, so pure that I was quite happy to behold it.
Involuntarily, whenever a general laugh echoed an amusing remark, I
turned towards him to see his countenance. He did not notice it, he had
something else to do.
Near him, placed on the left, was a convict, already old, sombre,
discontented, and always grumbling. He also had noticed Ali, and I saw
him cast furtive glances more than once towards him, so charming was the
young Circassian. The prisoners always called him Ali Simeonitch,
without my knowing why.
Public-domain text, read in full here on John Shaqi.
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