The house of the dead : $b or, Prison life in SiberiaDostoyevsky, Fyodor
General
The house of the dead : $b or, Prison life in Siberia
Dostoyevsky, Fyodor
Exiles -- Fiction; Siberia (Russia) -- Fiction
I have said that the other prisoners, too, found it as difficult as I
did to get used to the life they had to lead. During the whole of this
first year, I used to ask myself whether they were really as calm as
they seemed to be. Questions of this kind pressed themselves upon me. As
I have mentioned before, all the convicts felt themselves in an alien
element to which they could not reconcile themselves. The sense of home
was an impossibility; they felt as if they were staying, as a stage
upon a journey, in an evil sort of inn. These men, exiles for and from
life, seemed either in a perpetual smouldering agitation, or else in
deep depression; but there was not one who had not his ordinary ideas of
one thing or another. This restlessness, which, if it did not come to
the surface, was still unmistakable; those vague hopes of the poor
creatures which existed in spite of themselves, hopes so ill-founded
that they were more like the promptings of incipient insanity than aught
else; all this stamped the place with a character, an originality,
peculiarly its own. One could not but feel when one went there that
there was nothing like it anywhere else in the whole world. There
everybody went about in a sort of waking dream; nor was there anything
to relieve or qualify the impressions the place made on the system of
every man; so that all seemed to suffer from a sort of hyperæsthetic
neurosis, and this dreaming of impossibilities gave to the majority of
the convicts a sombre and morose aspect, for which the word morbid is
not strong enough. Nearly all were taciturn and irascible, preferring to
keep to themselves the hopes they secretly and vainly cherished. The
result was, that anything like ingenuousness or frank statement was the
object of general contempt. Precisely because these wild hopings were
impossible, and, despite themselves, were felt to be so, confessed to
their more lucid selves to be so, they kept them jealously concealed in
the most secret recesses of their souls; while to renounce them was
beyond their powers of self-control. It may be they were ashamed of
their imagination. God knows. The Russian character is, in its normal
conditions, so positive and sober in its way of looking at life, so
pitiless in criticism of its own weaknesses.
Public-domain text, read in full here on John Shaqi.
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