The House of the Lord: A Study of Holy Sanctuaries Ancient and ModernTalmage, James E. (James Edward)
Religion
The House of the Lord: A Study of Holy Sanctuaries Ancient and Modern
Talmage, James E. (James Edward)
Latter Day Saint temples; Temples
_The Lower Corridor_: The doorway from the annex passage opens directly
into the lower corridor of the Temple. This extends entirely across
the building, from north to south, and is a little over twelve feet in
width. The floor is richly carpeted, the walls are finely finished,
and the corridor as a whole presents an imposing contrast with the
exceedingly plain passage without. The walls are embellished with large
paintings, the chief of which is a canvas fifteen by thirteen feet,
showing Joseph Smith preaching to the Indian tribes of the east. At
the north end is a drinking fountain of Utah onyx--one of many of this
unique design distributed throughout the building.
_The Baptistry_: West from the lower corridor, and occupying the
central third of the entire floor on that side, is the baptismal
room, in which stands the great font. This apartment is thirty-two by
forty-five feet, and is floored with white marble. A ten-inch wainscot
of the same material extends along each wall, with grained wood-work
above. The walls are virtually a succession {184} of double doors,
of which the lower half is of paneled wood, and the upper of pebbled
glass. Each doorway is arched, and carries a large semi-circular
transom with a central aperture occupied by an open grill of metal.
Of these doors there are six pairs on both north and south sides, and
two pairs on both east and west. There are twenty-six fluted pilasters
around the walls, each extending from floor to ceiling. The only
natural light the room receives is borrowed from windows without; but
abundant artificial light is supplied by a large central electrolier
and numerous side lamps.
The baptismal font is, of course, the most prominent feature of the
room. To provide for the font, a depression or well has been excavated
to a depth of three feet below the floor level. This well, tiled with
marble, is circular, twenty-one feet in diameter, and is surrounded
by an ornamental iron railing two feet high. In this depression stand
twelve, life-sized oxen, of cast iron, with bronzed bodies and silvered
horns. The oxen face outward in groups of three and support the massive
font.[2] The font is of cast iron enameled in white, elliptical in
form, of ten and six feet in its longer and shorter axes respectively,
and four feet deep; its capacity is over four hundred gallons. The rim
is reached by a flight of seven steps at either end, with balustrade
and top-rail of iron; five inside steps at either end provide for
descent into the font. Facilities for quickly replenishing and renewing
hot and cold water in the font are adequate and efficient, and due
attention has been given to ventilation and sanitary requirements
throughout.
Public-domain text, read in full here on John Shaqi.
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