This was a freedom essential to the health even of a character so
little susceptible of morbid influences as that of Phœbe. The old
house, as we have already said, had both the dry-rot and the damp-rot
in its walls; it was not good to breathe no other atmosphere than that.
Hepzibah, though she had her valuable and redeeming traits, had grown
to be a kind of lunatic by imprisoning herself so long in one place,
with no other company than a single series of ideas, and but one
affection, and one bitter sense of wrong. Clifford, the reader may
perhaps imagine, was too inert to operate morally on his
fellow-creatures, however intimate and exclusive their relations with
him. But the sympathy or magnetism among human beings is more subtile
and universal than we think; it exists, indeed, among different classes
of organized life, and vibrates from one to another. A flower, for
instance, as Phœbe herself observed, always began to droop sooner in
Clifford’s hand, or Hepzibah’s, than in her own; and by the same law,
converting her whole daily life into a flower fragrance for these two
sickly spirits, the blooming girl must inevitably droop and fade much
sooner than if worn on a younger and happier breast. Unless she had now
and then indulged her brisk impulses, and breathed rural air in a
suburban walk, or ocean breezes along the shore,—had occasionally
obeyed the impulse of Nature, in New England girls, by attending a
metaphysical or philosophical lecture, or viewing a seven-mile
panorama, or listening to a concert,—had gone shopping about the city,
ransacking entire depots of splendid merchandise, and bringing home a
ribbon,—had employed, likewise, a little time to read the Bible in her
chamber, and had stolen a little more to think of her mother and her
native place—unless for such moral medicines as the above, we should
soon have beheld our poor Phœbe grow thin and put on a bleached,
unwholesome aspect, and assume strange, shy ways, prophetic of
old-maidenhood and a cheerless future.
Even as it was, a change grew visible; a change partly to be regretted,
although whatever charm it infringed upon was repaired by another,
perhaps more precious. She was not so constantly gay, but had her moods
of thought, which Clifford, on the whole, liked better than her former
phase of unmingled cheerfulness; because now she understood him better
and more delicately, and sometimes even interpreted him to himself. Her
eyes looked larger, and darker, and deeper; so deep, at some silent
moments, that they seemed like Artesian wells, down, down, into the
infinite. She was less girlish than when we first beheld her alighting
from the omnibus; less girlish, but more a woman.
Public-domain text, read in full here on John Shaqi.
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