“Softly, Mr. Pyncheon!” said the carpenter with scornful composure.
“Softly, an’ it please your worship, else you will spoil those rich
lace-ruffles at your wrists! Is it my crime if you have sold your
daughter for the mere hope of getting a sheet of yellow parchment into
your clutch? There sits Mistress Alice quietly asleep. Now let Matthew
Maule try whether she be as proud as the carpenter found her awhile
since.”
He spoke, and Alice responded, with a soft, subdued, inward
acquiescence, and a bending of her form towards him, like the flame of
a torch when it indicates a gentle draught of air. He beckoned with his
hand, and, rising from her chair,—blindly, but undoubtingly, as tending
to her sure and inevitable centre,—the proud Alice approached him. He
waved her back, and, retreating, Alice sank again into her seat.
“She is mine!” said Matthew Maule. “Mine, by the right of the strongest
spirit!”
In the further progress of the legend, there is a long, grotesque, and
occasionally awe-striking account of the carpenter’s incantations (if
so they are to be called), with a view of discovering the lost
document. It appears to have been his object to convert the mind of
Alice into a kind of telescopic medium, through which Mr. Pyncheon and
himself might obtain a glimpse into the spiritual world. He succeeded,
accordingly, in holding an imperfect sort of intercourse, at one
remove, with the departed personages in whose custody the so much
valued secret had been carried beyond the precincts of earth. During
her trance, Alice described three figures as being present to her
spiritualized perception. One was an aged, dignified, stern-looking
gentleman, clad as for a solemn festival in grave and costly attire,
but with a great blood-stain on his richly wrought band; the second, an
aged man, meanly dressed, with a dark and malign countenance, and a
broken halter about his neck; the third, a person not so advanced in
life as the former two, but beyond the middle age, wearing a coarse
woollen tunic and leather breeches, and with a carpenter’s rule
sticking out of his side pocket. These three visionary characters
possessed a mutual knowledge of the missing document. One of them, in
truth,—it was he with the blood-stain on his band,—seemed, unless his
gestures were misunderstood, to hold the parchment in his immediate
keeping, but was prevented by his two partners in the mystery from
disburdening himself of the trust. Finally, when he showed a purpose of
shouting forth the secret loudly enough to be heard from his own sphere
into that of mortals, his companions struggled with him, and pressed
their hands over his mouth; and forthwith—whether that he were choked
by it, or that the secret itself was of a crimson hue—there was a fresh
flow of blood upon his band. Upon this, the two meanly dressed figures
mocked and jeered at the much-abashed old dignitary, and pointed their
fingers at the stain.
At this juncture, Maule turned to Mr. Pyncheon.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account