Two or three times, and more, Hepzibah repeated his name, without
result; till, thinking her brother’s sleep unwontedly profound, she
undid the door, and entering, found the chamber vacant. How could he
have come forth, and when, without her knowledge? Was it possible that,
in spite of the stormy day, and worn out with the irksomeness within
doors he had betaken himself to his customary haunt in the garden, and
was now shivering under the cheerless shelter of the summer-house? She
hastily threw up a window, thrust forth her turbaned head and the half
of her gaunt figure, and searched the whole garden through, as
completely as her dim vision would allow. She could see the interior of
the summer-house, and its circular seat, kept moist by the droppings of
the roof. It had no occupant. Clifford was not thereabouts; unless,
indeed, he had crept for concealment (as, for a moment, Hepzibah
fancied might be the case) into a great, wet mass of tangled and
broad-leaved shadow, where the squash-vines were clambering
tumultuously upon an old wooden framework, set casually aslant against
the fence. This could not be, however; he was not there; for, while
Hepzibah was looking, a strange grimalkin stole forth from the very
spot, and picked his way across the garden. Twice he paused to snuff
the air, and then anew directed his course towards the parlor window.
Whether it was only on account of the stealthy, prying manner common to
the race, or that this cat seemed to have more than ordinary mischief
in his thoughts, the old gentlewoman, in spite of her much perplexity,
felt an impulse to drive the animal away, and accordingly flung down a
window stick. The cat stared up at her, like a detected thief or
murderer, and, the next instant, took to flight. No other living
creature was visible in the garden. Chanticleer and his family had
either not left their roost, disheartened by the interminable rain, or
had done the next wisest thing, by seasonably returning to it. Hepzibah
closed the window.
Public-domain text, read in full here on John Shaqi.
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