But, listen! That puff of the breeze was louder. It had a tone unlike
the dreary and sullen one which has bemoaned itself, and afflicted all
mankind with miserable sympathy, for five days past. The wind has
veered about! It now comes boisterously from the northwest, and, taking
hold of the aged framework of the Seven Gables, gives it a shake, like
a wrestler that would try strength with his antagonist. Another and
another sturdy tussle with the blast! The old house creaks again, and
makes a vociferous but somewhat unintelligible bellowing in its sooty
throat (the big flue, we mean, of its wide chimney), partly in
complaint at the rude wind, but rather, as befits their century and a
half of hostile intimacy, in tough defiance. A rumbling kind of a
bluster roars behind the fire-board. A door has slammed above stairs. A
window, perhaps, has been left open, or else is driven in by an unruly
gust. It is not to be conceived, before-hand, what wonderful
wind-instruments are these old timber mansions, and how haunted with
the strangest noises, which immediately begin to sing, and sigh, and
sob, and shriek,—and to smite with sledge-hammers, airy but ponderous,
in some distant chamber,—and to tread along the entries as with stately
footsteps, and rustle up and down the staircase, as with silks
miraculously stiff,—whenever the gale catches the house with a window
open, and gets fairly into it. Would that we were not an attendant
spirit here! It is too awful! This clamor of the wind through the
lonely house; the Judge’s quietude, as he sits invisible; and that
pertinacious ticking of his watch!
As regards Judge Pyncheon’s invisibility, however, that matter will
soon be remedied. The northwest wind has swept the sky clear. The
window is distinctly seen. Through its panes, moreover, we dimly catch
the sweep of the dark, clustering foliage outside, fluttering with a
constant irregularity of movement, and letting in a peep of starlight,
now here, now there. Oftener than any other object, these glimpses
illuminate the Judge’s face. But here comes more effectual light.
Observe that silvery dance upon the upper branches of the pear-tree,
and now a little lower, and now on the whole mass of boughs, while,
through their shifting intricacies, the moonbeams fall aslant into the
room. They play over the Judge’s figure and show that he has not
stirred throughout the hours of darkness. They follow the shadows, in
changeful sport, across his unchanging features. They gleam upon his
watch. His grasp conceals the dial-plate,—but we know that the faithful
hands have met; for one of the city clocks tells midnight.
Public-domain text, read in full here on John Shaqi.
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