But to us, who know the inner heart of the Seven Gables as well as its
exterior face, there is a ghastly effect in this repetition of light
popular tunes at its door-step. It would be an ugly business, indeed,
if Judge Pyncheon (who would not have cared a fig for Paganini’s fiddle
in his most harmonious mood) should make his appearance at the door,
with a bloody shirt-bosom, and a grim frown on his swarthily white
visage, and motion the foreign vagabond away! Was ever before such a
grinding out of jigs and waltzes, where nobody was in the cue to dance?
Yes, very often. This contrast, or intermingling of tragedy with mirth,
happens daily, hourly, momently. The gloomy and desolate old house,
deserted of life, and with awful Death sitting sternly in its solitude,
was the emblem of many a human heart, which, nevertheless, is compelled
to hear the thrill and echo of the world’s gayety around it.
Before the conclusion of the Italian’s performance, a couple of men
happened to be passing, On their way to dinner. “I say, you young
French fellow!” called out one of them,—“come away from that doorstep,
and go somewhere else with your nonsense! The Pyncheon family live
there; and they are in great trouble, just about this time. They don’t
feel musical to-day. It is reported all over town that Judge Pyncheon,
who owns the house, has been murdered; and the city marshal is going to
look into the matter. So be off with you, at once!”
As the Italian shouldered his hurdy-gurdy, he saw on the doorstep a
card, which had been covered, all the morning, by the newspaper that
the carrier had flung upon it, but was now shuffled into sight. He
picked it up, and perceiving something written in pencil, gave it to
the man to read. In fact, it was an engraved card of Judge Pyncheon’s
with certain pencilled memoranda on the back, referring to various
businesses which it had been his purpose to transact during the
preceding day. It formed a prospective epitome of the day’s history;
only that affairs had not turned out altogether in accordance with the
programme. The card must have been lost from the Judge’s vest-pocket in
his preliminary attempt to gain access by the main entrance of the
house. Though well soaked with rain, it was still partially legible.
“Look here; Dixey!” cried the man. “This has something to do with Judge
Pyncheon. See!—here’s his name printed on it; and here, I suppose, is
some of his handwriting.”
“Let’s go to the city marshal with it!” said Dixey. “It may give him
just the clew he wants. After all,” whispered he in his companion’s
ear, “it would be no wonder if the Judge has gone into that door and
never come out again! A certain cousin of his may have been at his old
tricks. And Old Maid Pyncheon having got herself in debt by the
cent-shop,—and the Judge’s pocket-book being well filled,—and bad blood
amongst them already! Put all these things together and see what they
make!”
Public-domain text, read in full here on John Shaqi.
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