The artist looked paler than ordinary; there was a thoughtful and
severe contraction of his forehead, tracing a deep, vertical line
between the eyebrows. His smile, however, was full of genuine warmth,
and had in it a joy, by far the most vivid expression that Phœbe had
ever witnessed, shining out of the New England reserve with which
Holgrave habitually masked whatever lay near his heart. It was the look
wherewith a man, brooding alone over some fearful object, in a dreary
forest or illimitable desert, would recognize the familiar aspect of
his dearest friend, bringing up all the peaceful ideas that belong to
home, and the gentle current of every-day affairs. And yet, as he felt
the necessity of responding to her look of inquiry, the smile
disappeared.
“I ought not to rejoice that you have come, Phœbe,” said he. “We meet
at a strange moment!”
“What has happened!” she exclaimed. “Why is the house so deserted?
Where are Hepzibah and Clifford?”
“Gone! I cannot imagine where they are!” answered Holgrave. “We are
alone in the house!”
“Hepzibah and Clifford gone?” cried Phœbe. “It is not possible! And why
have you brought me into this room, instead of the parlor? Ah,
something terrible has happened! I must run and see!”
“No, no, Phœbe!” said Holgrave holding her back. “It is as I have told
you. They are gone, and I know not whither. A terrible event has,
indeed happened, but not to them, nor, as I undoubtingly believe,
through any agency of theirs. If I read your character rightly, Phœbe,”
he continued, fixing his eyes on hers with stern anxiety, intermixed
with tenderness, “gentle as you are, and seeming to have your sphere
among common things, you yet possess remarkable strength. You have
wonderful poise, and a faculty which, when tested, will prove itself
capable of dealing with matters that fall far out of the ordinary
rule.”
“Oh, no, I am very weak!” replied Phœbe, trembling. “But tell me what
has happened!”
“You are strong!” persisted Holgrave. “You must be both strong and
wise; for I am all astray, and need your counsel. It may be you can
suggest the one right thing to do!”
“Tell me!—tell me!” said Phœbe, all in a tremble. “It oppresses,—it
terrifies me,—this mystery! Anything else I can bear!”
The artist hesitated. Notwithstanding what he had just said, and most
sincerely, in regard to the self-balancing power with which Phœbe
impressed him, it still seemed almost wicked to bring the awful secret
of yesterday to her knowledge. It was like dragging a hideous shape of
death into the cleanly and cheerful space before a household fire,
where it would present all the uglier aspect, amid the decorousness of
everything about it. Yet it could not be concealed from her; she must
needs know it.
“Phœbe,” said he, “do you remember this?” He put into her hand a
daguerreotype; the same that he had shown her at their first interview
in the garden, and which so strikingly brought out the hard and
relentless traits of the original.
Public-domain text, read in full here on John Shaqi.
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