“Because,” said the artist, “if the matter can be fairly considered and
candidly interpreted, it must be evident that Judge Pyncheon could not
have come unfairly to his end. This mode of death had been an
idiosyncrasy with his family, for generations past; not often
occurring, indeed, but, when it does occur, usually attacking
individuals about the Judge’s time of life, and generally in the
tension of some mental crisis, or, perhaps, in an access of wrath. Old
Maule’s prophecy was probably founded on a knowledge of this physical
predisposition in the Pyncheon race. Now, there is a minute and almost
exact similarity in the appearances connected with the death that
occurred yesterday and those recorded of the death of Clifford’s uncle
thirty years ago. It is true, there was a certain arrangement of
circumstances, unnecessary to be recounted, which made it possible—nay,
as men look at these things, probable, or even certain—that old Jaffrey
Pyncheon came to a violent death, and by Clifford’s hands.”
“Whence came those circumstances?” exclaimed Phœbe. “He being innocent,
as we know him to be!”
“They were arranged,” said Holgrave,—“at least such has long been my
conviction,—they were arranged after the uncle’s death, and before it
was made public, by the man who sits in yonder parlor. His own death,
so like that former one, yet attended by none of those suspicious
circumstances, seems the stroke of God upon him, at once a punishment
for his wickedness, and making plain the innocence of Clifford. But
this flight,—it distorts everything! He may be in concealment, near at
hand. Could we but bring him back before the discovery of the Judge’s
death, the evil might be rectified.”
“We must not hide this thing a moment longer!” said Phœbe. “It is
dreadful to keep it so closely in our hearts. Clifford is innocent. God
will make it manifest! Let us throw open the doors, and call all the
neighborhood to see the truth!”
“You are right, Phœbe,” rejoined Holgrave. “Doubtless you are right.”
Public-domain text, read in full here on John Shaqi.
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