It was now far too late in Clifford’s life for the good opinion of
society to be worth the trouble and anguish of a formal vindication.
What he needed was the love of a very few; not the admiration, or even
the respect, of the unknown many. The latter might probably have been
won for him, had those on whom the guardianship of his welfare had
fallen deemed it advisable to expose Clifford to a miserable
resuscitation of past ideas, when the condition of whatever comfort he
might expect lay in the calm of forgetfulness. After such wrong as he
had suffered, there is no reparation. The pitiable mockery of it, which
the world might have been ready enough to offer, coming so long after
the agony had done its utmost work, would have been fit only to provoke
bitterer laughter than poor Clifford was ever capable of. It is a truth
(and it would be a very sad one but for the higher hopes which it
suggests) that no great mistake, whether acted or endured, in our
mortal sphere, is ever really set right. Time, the continual
vicissitude of circumstances, and the invariable inopportunity of
death, render it impossible. If, after long lapse of years, the right
seems to be in our power, we find no niche to set it in. The better
remedy is for the sufferer to pass on, and leave what he once thought
his irreparable ruin far behind him.
The shock of Judge Pyncheon’s death had a permanently invigorating and
ultimately beneficial effect on Clifford. That strong and ponderous man
had been Clifford’s nightmare. There was no free breath to be drawn,
within the sphere of so malevolent an influence. The first effect of
freedom, as we have witnessed in Clifford’s aimless flight, was a
tremulous exhilaration. Subsiding from it, he did not sink into his
former intellectual apathy. He never, it is true, attained to nearly
the full measure of what might have been his faculties. But he
recovered enough of them partially to light up his character, to
display some outline of the marvellous grace that was abortive in it,
and to make him the object of no less deep, although less melancholy
interest than heretofore. He was evidently happy. Could we pause to
give another picture of his daily life, with all the appliances now at
command to gratify his instinct for the Beautiful, the garden scenes,
that seemed so sweet to him, would look mean and trivial in comparison.
Public-domain text, read in full here on John Shaqi.
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