“There,” said Holgrave, “it is time to give over work! That last stroke
of the hoe has cut off a beanstalk. Good-night, Miss Phœbe Pyncheon!
Any bright day, if you will put one of those rosebuds in your hair, and
come to my rooms in Central Street, I will seize the purest ray of
sunshine, and make a picture of the flower and its wearer.” He retired
towards his own solitary gable, but turned his head, on reaching the
door, and called to Phœbe, with a tone which certainly had laughter in
it, yet which seemed to be more than half in earnest.
“Be careful not to drink at Maule’s well!” said he. “Neither drink nor
bathe your face in it!”
“Maule’s well!” answered Phœbe. “Is that it with the rim of mossy
stones? I have no thought of drinking there,—but why not?”
“Oh,” rejoined the daguerreotypist, “because, like an old lady’s cup of
tea, it is water bewitched!”
He vanished; and Phœbe, lingering a moment, saw a glimmering light, and
then the steady beam of a lamp, in a chamber of the gable. On returning
into Hepzibah’s apartment of the house, she found the low-studded
parlor so dim and dusky that her eyes could not penetrate the interior.
She was indistinctly aware, however, that the gaunt figure of the old
gentlewoman was sitting in one of the straight-backed chairs, a little
withdrawn from the window, the faint gleam of which showed the blanched
paleness of her cheek, turned sideways towards a corner.
“Shall I light a lamp, Cousin Hepzibah?” she asked.
“Do, if you please, my dear child,” answered Hepzibah. “But put it on
the table in the corner of the passage. My eyes are weak; and I can
seldom bear the lamplight on them.”
What an instrument is the human voice! How wonderfully responsive to
every emotion of the human soul! In Hepzibah’s tone, at that moment,
there was a certain rich depth and moisture, as if the words,
commonplace as they were, had been steeped in the warmth of her heart.
Again, while lighting the lamp in the kitchen, Phœbe fancied that her
cousin spoke to her.
“In a moment, cousin!” answered the girl. “These matches just glimmer,
and go out.”
But, instead of a response from Hepzibah, she seemed to hear the murmur
of an unknown voice. It was strangely indistinct, however, and less
like articulate words than an unshaped sound, such as would be the
utterance of feeling and sympathy, rather than of the intellect. So
vague was it, that its impression or echo in Phœbe’s mind was that of
unreality. She concluded that she must have mistaken some other sound
for that of the human voice; or else that it was altogether in her
fancy.
She set the lighted lamp in the passage, and again entered the parlor.
Hepzibah’s form, though its sable outline mingled with the dusk, was
now less imperfectly visible. In the remoter parts of the room,
however, its walls being so ill adapted to reflect light, there was
nearly the same obscurity as before.
“Cousin,” said Phœbe, “did you speak to me just now?”
“No, child!” replied Hepzibah.
Public-domain text, read in full here on John Shaqi.
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