I looked again at Laurence’s note. He had called at the house at
seven, he said. Now I distinctly remembered that, after I had heard
the bell and met Sarah, I came into the schoolroom and found that by
the clock it was half-past six. I had sat there until twenty minutes
past seven, and during that time there had been no other ring at the
hall door. And I had noticed how very dark it was getting; then, just
as I was opening the window to go out, Sarah had come in and asked me
to help her with the store-list, and I had been free in a very short
time; yet on my arrival at my “nest,” the church clock had struck
eight.
Sarah must have put the schoolroom clock back.
I had found her just now turning from the mantelpiece, and I could not
doubt that, her object being gained, she had been putting the clock
right again. This malicious persecution frightened me. Was I safe in
the same house with a woman who would take so much trouble merely to
prevent my having a last interview with my lover?
There had been a matter-of-fact deliberateness in the way she had
answered me about the bell and asked me to do the list which had the
effect of alarming me still more than the savage manner in which she
used to look at and speak to me when she was jealous of some new proof
of the consideration with which I was treated at the Alders. This was
Wednesday, and Mr. Rayner would probably not be back before Saturday.
What new proof of animosity would she manage to give me in those three
days? That she would not let this opportunity of showing her rooted
dislike to me go by I felt sure. I remembered how earnestly she had
begged to stay, and wondered whether the wish for a chance of playing
me some unkind trick had had anything to do with it; for Sarah was not
likely to have forgiven me for having been the cause of her threatened
dismissal. It was of no use to speculate upon what she might do; if
she grew too intolerable, I could telegraph to Mr. Rayner, and he
would find some means of bringing her to reason.
Public-domain text, read in full here on John Shaqi.
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