The House on the Moor, v. 3/3Oliphant, Mrs. (Margaret)
General
The House on the Moor, v. 3/3
Oliphant, Mrs. (Margaret)
Fiction
In this languor and stillness of the death-consecrated house, where no
agony of living grief reigned, but only the natural pathos and the
natural rest, Horace awoke at bright mid-day from his unnatural sleep.
Accustomed to the noises of a town, and to the perpetual wasting of his
own burning thoughts, the stillness struck him strangely, with a chill
calm which he could not explain. He sat up mechanically, and put the
lank disordered hair from his face, trying to recollect where he was and
what had happened. Looking round at that room, strange yet familiar,
the shelter of all his youthful years, he could almost have supposed
that everything else was but a hideous dream, and that he himself was
nothing worse or guiltier than the rebellious lad who once slept and
dreamt within these homely walls. But then bit by bit the light
brightened upon him; he traced out the whole black history line by line;
the first suggestion of this guilt at which he had shuddered--the
returning thoughts which grew familiar to him--the deed itself, black
and breathless in its stealthy and secret crime; and now the
consummation had come! At that thought he started from his bed, all his
pulses beating with the strength of fear. What was he thinking of?--the
great stakes he had played for and won? the big inaccessible fortune
which made him this day, in this obscure house, as Uncle Edward said,
one of the richest men in England? the wealthy inheritance, which was
all his own? He thought of no such thing, poor madman, in his frightful
success and triumph; far from that ruined soul and miserable house were
now the delusions of love and fortune which had wiled him into crime;
no exultant thought of fortune gained--no lover's fancy of Amelia won,
warmed him in the first sharp access of misery. He thought of one thing,
and one only, in the abject horror of that guilt, which he himself knew,
though no one else did. The fatal box in which he had laid his train of
destruction--the medicine chest where his father had gone to seek
healing and had found death. Where was it? He saw it in his burning
imagination a far more dread obstacle than had been that life which he
had destroyed, standing between him and all the objects of his ambition;
he could not look anywhere but that fatal vision glided before him,
clear with its brass-bound corners, its tiny phials, and the lock which
closed with such a horrible jar. It haunted his miserable eyes, a guilty
spectrum--where was it?--had the doctor perhaps taken possession of if
already to detect the secret felon, lurking murderous under its seeming
innocence?--had the vindictive victim of that snare given it over into
some one's hand, a witness not to be intimidated against the parricide?
The heavy drops rained from his white face, his limbs trembled like
palsy, his very youth and strength forsook him in that dread emergency.
By a dark intuition he knew that his father was dead, that all was over;
Public-domain text, read in full here on John Shaqi.
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