The House on the Moor, v. 3/3Oliphant, Mrs. (Margaret)
General
The House on the Moor, v. 3/3
Oliphant, Mrs. (Margaret)
Fiction
Roger, however, could not bear these tears. He put his mother's letter
hastily into her hand--would she read it? There was really nothing
blaming Mr. Scarsdale, as she would see. And Susan stood shy and
tearful, with the paper trembling in her hand--a maidenly, womanly,
natural restraint forbidding her to read, while her heart yearned,
notwithstanding, towards Roger's mother; while Roger kept looking at her
with anxious eyes, as earnest to have her read it as though his fate
depended on the issue. Did either of them think of Horace in connection
with this letter? or what, between these two young dreamers, trembling
on the edge of their romance, was Colonel Sutherland, with very serious
thoughts in his mind and matters in his hand, to do? He got up after a
few minutes waiting, with good-humoured impatience.
"Boys and girls," said Uncle Edward, "with all their life before them,
like you young people, may waste a few hours of it without much harm
done; but what I have to do must be done quickly. Make up your mind,
Roger, my good friend; but as for me, I am going off to Armitage by the
first train. Susan, my love, Mrs. Melrose will stay with you; for this
young fellow's interests, you see, must be looked after, whether he
wishes it or not--especially, my dear"--and Uncle Edward's kind face
grew darker as he made that significant pause.
"Especially if Horace has had any share in it," cried Susan. "Oh, Mr.
Musgrave!" and a few tears fell suddenly over Roger's mother's letter.
The Colonel at the moment had stepped out of the room to give his
instructions to Patchey, and Susan's one sole remaining intention, on
which all her mind was fixed, was to rush after him; but that
involuntary turn of her head and exclamation of her lips sealed Susan's
fate. Roger was not the man to let slip so advantageous a moment--and
had things to do of more importance than packing his portmanteau before
he left Milnehill.
CHAPTER XVI.
Public-domain text, read in full here on John Shaqi.
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