The House on the Moor, v. 3/3Oliphant, Mrs. (Margaret)
General
The House on the Moor, v. 3/3
Oliphant, Mrs. (Margaret)
Fiction
When Horace returned to Harliflax it was night--too late even for an
accepted lover to gain admittance to the widowed house of Mrs.
Stenhouse, and Horace was not even an openly accepted lover. These ten
days had changed him greatly. This monstrous crime had indeed germinated
in his mind from the very hour of his return from London; but that
passion of temptation was very different from the horror of unbearable
suspense and anxiety which consumed him now. While he was still only
about to do it, his mind was buoyed up by a hideous fascination, which
carried him over time and space as though upon a devil's wings. Now that
he had done it, every hour was a staring, wide-eyed Medusa, watching
and petrifying; and still, through the cold, creeping silence, there
came no sound; no cry of the death-agony which he had contrived, nor
shout of the avenger of blood behind; no sobbing forth of the dear life
shed by his hands, and no cry of Murder! Murder!--only a convulsive
whisper of the word among the grass and leaves, and secret spies of
nature, which pricked him into madness, and turned the blood in his
veins to fire. He was changed, imperceptibly to himself, but in the
strangest way. Every day of this week in which he had been compassing
his father's death had made him more like his father. His face had lost
its colour and roundness--the soft outline of youth was gone; and in its
place had come a sharpened distinction of feature, unusual at his years.
His hair, which, to his great wonder, came out in handfuls when he
dressed it, fell lank, like that of the recluse at Marchmain; and even
his dress took the same resemblance, and flew back from his figure, as
he went, with his restless haste of motion, from street to street. But
the sneer and the disdain had almost gone out of Horace's face: he
could no longer afford these light emotions. His whole soul was burnt up
with passions more intense--self-horror--anxiety, more acute and
devouring than ever was the anxiety of love, to know his father's fate;
and, above all, that overpowering certainty of personal guilt, which all
the world and all its powers could never again loosen from his
self-convicted heart.
Public-domain text, read in full here on John Shaqi.
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