The House on the Moor, v. 3/3Oliphant, Mrs. (Margaret)
General
The House on the Moor, v. 3/3
Oliphant, Mrs. (Margaret)
Fiction
The doctor went away, and the unnecessary commotion subsided a little.
The lingering housemaid went to bed, feeling somewhat defrauded of her
tears, and tragically disappointed that the end was not coming to-night
to poor little Edmund's tragi-comedy of life. So did Stevens, moralizing
and very much disgusted at the interruption of his rest--"three nights
all a-running!" said that injured man to himself, "and master, from he
was took bad till he died, was only twenty-four hours;" while in the
meanwhile a strange scene was taking place in the invalid's parlour.
There, in the close stifling atmosphere and under the subdued sick-room
light, sat Horace writing--Horace with murder in his heart and a
personal burden too overpowering to allow him to remember the share he
had taken in his employer's fraud, setting down mechanically, scarcely
alive enough for a gleam of derision, the impotent will from the lips of
that innocent, imperative, despotic child. Amelia herself had glanced
into the room and withdrawn again contemptuously, without her lover
perceiving her; but the youngest and gentlest of the three sisters was
with Mrs. Stenhouse, to help her in her watching, and had already begun
to slumber peacefully in a chair. The mother herself sat at the foot of
the sofa watching her boy, with eyes enlarged and dilated by many a
vigil, and by that constant fear and scrutiny of his face; while,
propped up among his pillows, Edmund half sat, half lay, dictating, with
many a digression, his arbitrary, generous intentions. The will was
still incomplete, when sleep stole over the would-be testator. He
drooped back among the cushions, and could no longer keep his fiery
little eyes open. Was he dying with that last flutter of words, "my
brother Roger," about his lips? No, only falling safe into the restless
sleep of a sick child. When his sharp little voice had died away, and
all was silent in the room, the two by his bedside looked strangely into
each other's faces. What brought you here with your black thoughts, oh!
dangerous, guilty man? He rose up alone in the still house inhabited of
women, feeling for an instant a vague sensation of that power and
freedom which the strong, unfettered by either law or virtue, may feel
among the weak. What was to hinder him from ending by a touch that frail
child's life?--he could have done it. What was to hinder him from going
up in the darkness, and lifting out of her safe rest that beautiful
Amelia? He stood looking for a moment at the timid woman before him,
with a hundred suggestions and possibilities of additional guilt
pricking him into life. What was it to him now what he did, he who had
made the plunge and done the deepest crime of nature? But he only looked
at her a moment, with a savage consciousness of his power to outrage and
devastate; and then laughed a short wild laugh, and went out as suddenly
as he had come. Poor Mrs. Stenhouse stole out to fasten the door after
Public-domain text, read in full here on John Shaqi.
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