The House with the Green ShuttersBrown, George Douglas
General
The House with the Green Shutters
Brown, George Douglas
Scotland -- Social life and customs -- 19th century -- Fiction
Amid his storm of anger at the trick, Gourlay was conscious of a sudden
pity for himself, as for a man most unfairly worsted. He realized for a
moment his own inefficiency as a business man, in conflict with
cleverer rivals, and felt sorry to be thus handicapped by nature. Though
wrath was uppermost, the other feeling was revealed, showing itself by a
gulping in the throat and a rapid blinking of the eyes. The Deacon
marked the signs of his chagrin.
"Man!" he reported to the bodies, "but Gourlay was cut to the quick. His
face showed how gunkit he was. Oh, but he was chawed. I saw his breist
give the great heave."
"Were ye no sorry?" cried the baker.
"Thorry, hi!" laughed the Deacon. "Oh, I was thorry, to be sure," he
lisped, "but I didna thyow't. I'm glad to thay I've a grand control of
my emotionth. Not like thum folk we know of," he added slyly, giving the
baker a "good one."
All next day Gibson's masons waited for their building material in
Wilson's holm. But none came. And all day seven of Gourlay's horses
champed idly in their stalls.
Barbie had a weekly market now, and, as it happened, that was the day it
fell on. At two in the afternoon Gourlay was standing on the gravel
outside the Red Lion, trying to look wise over a sample of grain which a
farmer had poured upon his great palm. Gibson approached with false
voice and smile.
"Gosh, Mr. Gourlay!" he cried protestingly, "have ye forgotten whatna
day it is? Ye havena gi'en my men a ton o' stuff to gang on wi'."
To the farmer's dismay his fine sample of grain was scattered on the
gravel by a convulsive movement of Gourlay's arm. As Gourlay turned on
his enemy, his face was frightfully distorted; all his brow seemed
gathered in a knot above his nose, and he gaped on his words, yet ground
them out like a labouring mill, each word solid as plug shot.
"I'll see Wil-son ... and Gib-son ... and every other man's son ...
frying in hell," he said slowly, "ere a horse o' mine draws a stane o'
Wilson's property. Be damned to ye, but there's your answer!"
Gibson's cunning deserted him for once. He put his hand on Gourlay's
shoulder in pretended friendly remonstrance.
"Take your hand off my shouther!" said Gourlay, in a voice the tense
quietness of which should have warned Gibson to forbear.
But he actually shook Gourlay with a feigned playfulness.
Next instant he was high in air; for a moment the hobnails in the soles
of his boots gleamed vivid to the sun; then Gourlay sent him flying
through the big window of the Red Lion, right on to the middle of the
great table where the market-folk were drinking.
For a minute he lay stunned and bleeding among the broken crockery, in a
circle of white faces and startled cries.
Gourlay's face appeared at the jagged rent, his eyes narrowed to
fiercely gleaming points, a hard, triumphant devilry playing round his
black lips. "You damned treacherous rat!" he cried, "that's the game
John Gourlay can play wi' a thing like you."
Public-domain text, read in full here on John Shaqi.
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