The House with the Mezzanine and Other StoriesChekhov, Anton Pavlovich
General
The House with the Mezzanine and Other Stories
Chekhov, Anton Pavlovich
Short stories
"Why don't you come to see me?" she asked, looking at me with her bright
sagacious eyes, and I was overcome with joy and stood stiffly in front
of her, just as I had done with my father when he was going to thrash
me; she looked straight into my face and I could see by her eyes that
she understood why I was overcome.
"Why don't you come to see me?" she repeated. "You don't want to come? I
had to come to you."
She got up and came close to me.
"Don't leave me," she said, and her eyes filled with tears. "I am
lonely, utterly lonely."
She began to cry and said, covering her face with her muff:
"Alone! Life is hard, very hard, and in the whole world I have no one
but you. Don't leave me!"
Looking for her handkerchief to dry her tears, she gave a smile; we were
silent for some time, then I embraced and kissed her, and the pin in her
hat scratched my face and drew blood.
And we began to talk as though we had been dear to each other for a
long, long time.
X
In a couple of days she sent me to Dubechnia and I was beyond words
delighted with it. As I walked to the station, and as I sat in the
train, I laughed for no reason and people thought me drunk. There were
snow and frost in the mornings still, but the roads were getting dark,
and there were rooks cawing above them.
At first I thought of arranging the side wing opposite Mrs. Cheprakov's
for myself and Masha, but it appeared that doves and pigeons had taken
up their abode there and it would be impossible to cleanse it without
destroying a great number of nests. We would have to live willy-nilly in
the uncomfortable rooms with Venetian blinds in the big house. The
peasants called it a palace; there were more than twenty rooms in it,
and the only furniture was a piano and a child's chair, lying in the
attic, and even if Masha brought all her furniture from town we should
not succeed in removing the impression of frigid emptiness and coldness.
I chose three small rooms with windows looking on to the garden, and
from early morning till late at night I was at work in them, glazing the
windows, hanging paper, blocking up the chinks and holes in the floor.
It was an easy, pleasant job. Every now and then I would run to the
river to see if the ice was breaking and all the while I dreamed of the
starlings returning. And at night when I thought of Masha I would be
filled with an inexpressibly sweet feeling of an all-embracing joy to
listen to the rats and the wind rattling and knocking above the ceiling;
it was like an old hobgoblin coughing in the attic.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account