The Huguenot: A Tale of the French Protestants. Volumes I-IIIJames, G. P. R. (George Payne Rainsford)
General
The Huguenot: A Tale of the French Protestants. Volumes I-III
James, G. P. R. (George Payne Rainsford)
Huguenots -- Fiction
"Why, I mean pistols, Sir," said the man; "if I must speak good
French, I say he had pistols, then. So thinking he was about some
mischief, I crept after him from door to door, dodged him across the
square, and saw him go in by a gate, that I thought was shut, into the
garden behind the château. I went in after him, though I was in a
desperate fright for fear any one should catch me; and I trembled so,
that I shook three crowns in my pocket till they rang like sheep
bells. I thought he would have heard me; but I watched him plant
himself under one of the statues on the terrace, and there he stood
like a statue himself. I defy you to have told the one from the other,
or to have known Monsieur Herval from Monsieur Neptune. Whenever I saw
that, I came back to look for you, and tell you what had happened; for
you know, Sir, I am awfully afraid of firearms; and I had not even a
pair of curling irons to fight him with."
"That must be near the apartments of Louvois," said the young Count
thoughtfully. "This man may very likely seek to do him some injury."
"More likely the King, Sir," said the valet in a low voice. "I have
heard that his Majesty walks there on that terrace every fine night
after the play for half an hour. He is quite alone, and it would be as
much as one's liberty is worth to approach him at that time."
"Come with me directly, Riquet," said the Count, "and show me where
this is. Station yourself at the gate you mention after I have gone
in, and if you hear me call to you aloud, instantly give the alarm to
the sentries. Come, quick, for the play must soon be over."
Thus saying, the young Count strode on, crossed the place, and, under
the guidance of Riquet, approached the gate through which Herval had
entered. The key was in the lock on the outside, and the door ajar;
and, leaving the man in the shadow, the Count entered alone. The
gardens appeared perfectly solitary, sleeping in the moonlight. The
principal water-works were still; and no sound or motion was to be
seen or heard, but such as proceeded from the smaller fountains that
were sparkling on the terrace making the night musical with the
plaintive murmur of their waters, or from the tops of the high trees
as they were waved by the gentle wind. The palace was full of lights,
and nothing was seen moving across any of the windows, so that it was
evident that the play was not yet concluded; and the young Count
looked about for the person he sought for a moment or two in vain.
Public-domain text, read in full here on John Shaqi.
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