The Human Interest: A Study in IncompatibilitiesHunt, Violet
General
The Human Interest: A Study in Incompatibilities
Hunt, Violet
Man-woman relationships -- Fiction; Women -- England -- Fiction
He made a little nod in the affirmative.
“Well, he could scarcely try to keep that knowledge from me,” Mrs. Elles
thought to herself.
“It is Rokeby,” Egidia went on, “Scott’s Rokeby--that place where Mr.
Rivers works so much. Rather near your part of the world, I believe.”
“I know it well,” Mrs. Elles said.
Rivers was standing abstractedly a few yards away from the two women.
Mrs. Elles resented his lack of emotional interest.
“It is quite charming!” she said, raising her voice. “And is that a
little figure I see--on the edge of the stream? Some village girl you
got to stand for you, I suppose?”
It was no village girl, and she knew it. It was herself, done by her own
desire. She had begged him to put in some human interest for once, and
he had indulgently agreed to do so, on condition she supplied it
herself. She had posed for twenty minutes under a broiling sun, and had
refused the gift of the sketch when it was done. She had somehow wished
that the memento of her should be retained by him, not her.
No, he could never have cared for her, or he could never have borne to
give away that sketch to another woman! Her lips stiffened and then
quivered. Had she known what was actually the fact, that the
circumstance of her posing for that particular sketch had completely
lapsed from the painter’s memory, would she have been less distressed?
“That is the very reason I chose it,” Egidia said, taking the drawing
out of her hands. “Mr. Rivers gave me my choice of the Rokeby sketches,
and out of a whole quantity of them in his studio I chose this one
because it had a little human interest in it. I like people, you know. I
should feel the world so cold, so dull, without them. I can’t think how
you, Cousin Edmund, manage to do without them so nicely!”
The painter actually laughed--from an excess of nervousness, Phœbe Elles
hoped.
“Do say that I may bring Mrs. Elles to see your studio one day? I am
sure she would like to see it!”
“I should be delighted,” he said, “only you know a landscape painter’s
studio is not much to look at. Now Tadema’s---- ”
“Ah! but then Mrs. Elles is not blasée on the subject of studios as yet,
are you, Mrs. Elles? She wants to see a little bit of everything now
that she is here, don’t you? You remember our conversation in Newcastle?
We must go about a little together and see the sights. I don’t mean the
Tower and the Monument--you are of course far above these. You might ask
us to tea in your studio,” she ended, turning, suddenly appealing, to
Rivers.
“She wants to show off her intimacy with him,” Mrs. Elles thought
bitterly.
“I will,” said Rivers gravely. “You must write and name your own day. It
will have to be when I come back from Paris.”
“Oh, are you going to Paris?” Egidia exclaimed, obviously surprised and
completely uninstructed in his movements.
“I think I shall have to, on business; but I will let you know when I
come back, and I will try to get a few interesting people to meet
you--and your friend!”
Public-domain text, read in full here on John Shaqi.
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