The Human Interest: A Study in IncompatibilitiesHunt, Violet
General
The Human Interest: A Study in Incompatibilities
Hunt, Violet
Man-woman relationships -- Fiction; Women -- England -- Fiction
“I do happen to know that there is such a thing as jet, and that it is
very expensive. A sort of glittering coat of mail, you know, that women
wear.”
“Egidia does!” cried Mrs. Elles, with a sudden little pang of jealousy.
“She wore one in Newcastle, I remember, when I went to see her.
Sequins!”
“Yes, the ‘bombazine mother’ wore little shining things like hers,” he
replied, with a disconcerting apprehension of the intricacies of
feminine apparel in Miss Giles’s case which disclosed to the woman at
his side the parlous state of her own heart, if indeed she had been
under any doubt about it.
He went on, “As for this wretched woman, I do hope we shall not come
across her! Her voice was enough for me. I wonder how a woman with a
strident unsympathetic voice like that can find anyone to live with her.
I could not be in her company an hour.”
“I daresay she is somebody’s mother-in-law,” remarked Mrs. Elles, with
pathos.
“And eyes like gimlets! She had a good look at me!”
“And now she is most probably pumping them about you, and me, and who
and what we are!”
“Probably,” he replied rather grimly, and sat down in front of his
drawing, and began to work at it with all the signs of intense
concentration.
She stayed where she was, in the window seat, and watched him, with an
ardent, timidly devouring gaze. This time, he was too much absorbed to
look up, so it was quite safe.
She found herself wondering how a man could live in such an atmosphere
of passionate regard, and not know it. It seemed to her that the cloud,
as it were, of devotion and admiration with which she enwrapped him, was
so intensely actual--a positive physical fact,--it seemed to her that
she could see the halo with which she crowned him.
For literally half-an-hour she heard nothing but the intermittent
plip-plop of the brush in the glass of water, fast growing muddy
coloured. He seemed to her to dash the brush into it with more
energy--nay virulence--than usual.
She presently observed aloud, with the sweet impertinence permitted by
intimacy: “How you are dashing it in! I call that the splash and carry
one of art, but I suppose it will all come out right in the end.”
“Or all wrong,” he said--and his voice was so changed that she looked up
in surprise. “The chances are that I shall never finish it. I am
thinking of leaving this place to-morrow!”
“What?” she screamed, rather than said; and her voice from excess of
emotion was shrill and strident enough to apprise even one so absorbed
as Rivers that his intelligence was of no ordinary degree of importance
to his listener.
She had known all along that this must come and she had made up her mind
how she would behave when it came--but not so suddenly, good God! Her
resolution deserted her and her voice betrayed her.
The painter deliberately laid down his brush, and came to where she was
sitting in the window-seat, and taking her two unresisting hands, led
her a few paces into the room.
Public-domain text, read in full here on John Shaqi.
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