The Human Interest: A Study in IncompatibilitiesHunt, Violet
General
The Human Interest: A Study in Incompatibilities
Hunt, Violet
Man-woman relationships -- Fiction; Women -- England -- Fiction
She shuddered at the grimness of his accent--she apprehended his meaning
only too well. She seemed to see him in her mind’s eye, as he would be
henceforth, stooping, brooding, gloating over his work in the dell of
Brignal, alone, as he was before she came there, and mildly, dully happy
perhaps, as he may have been, before the Human Interest came to trouble
him.
And yet--“He does not want to let me see how he feels it,” was the
secret consolation that lay all the while at the back of her thought,
explaining his brusqueness, his taciturnity, his hardness, which her
surface mind could not help resenting and deprecating. Her soul’s life,
which was then at its lowest ebb, lived on that thought, and her body
took courage from it.
She walked into the Park almost briskly by his side, and when they had
travelled a certain distance along the broad path, he made a significant
movement of his hand towards her spectacles.
“Can you take those things off?” he asked her, imperiously.
She obediently doffed the symbol of her martyrdom and return to the
paths of virtue, and handed them to him. He folded the spectacles and
put them in his coat pocket.
“The bill was only thirteen pounds,” she next remarked, holding out the
notes he had lent her. “I had plenty of money of my own, so I return
these.”
The notes, too, he put into his pocket without comment. Then she said
reproachfully:--
“Don’t you want to know my name?”
He started. “Your name? That does not matter, does it?”
“But you surely must know my name to write to me by?”
“I am not going to write to you.”
“Why not?” There was a sharp note of prescient anguish in her voice.
“I am not good at writing letters.”
“Ah, no, it isn’t that,” she answered sadly. “You mean of course that
you want to go quite out of my life.”
“What can I do?”
“Do!” she repeated after him vaguely. Then--“Must you?”
“Yes--I must.”
“But it isn’t possible,--no, it isn’t possible!” she cried.
“Quite possible,” he answered her doggedly. “I did not know you a month
ago--I shall not know you a month hence, that’s all!”
She wailed out gently, like a child. “But what am I to do? What are you
going to do?”
“I am going to do my work,” he answered her severely and coldly. “My
work, that I have been letting go to the dogs lately. I shall paint and
paint--like the very devil--as I did before you came. You must do that
too. Work is the only thing, I find.”
“Work, work, honest work!” she repeated mechanically. “But will you tell
me what work I have to do? It is all very well for you--you speak as if
you quite looked forward to your life without me--but I shall eat my
heart out.”
“Oh, people say that, but there is a certain savage pleasure in
renunciation, as you will find.”
Public-domain text, read in full here on John Shaqi.
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