Magic, sorcery, witchcraft, enchantment, necromancy, conjuring, incantation, soothsaying, divining, the black art, are all one and the same humbug. They show how prone men are to believe in _some_ supernatural power, in _some_ beings wiser and stronger than themselves, but at the same time how they stop short, and find satisfaction in some debasing humbug, instead of looking above and beyond it all to God, the only being that it is really worth while for man to look up to or beseech. Magic and witchcraft are believed in by the vast majority of mankind, and by immense numbers even in Christian countries. They have always been believed in, so far as I know. In following up the thread of history, we always find conjuring or witch work of some kind, just as long as the narrative has space enough to include it. Already, in the early dawn of time, the business was a recognized and long established one. And its history is as unbroken from that day down to this, as the history of the race. In the narrow space at my command at present, I shall only gather as many of the more interesting stories about these humbugs, as I can make room for. Reasoning about the subject, or full details of it, are at present out of the question. A whole library of books exists about it. It is a curious fact that throughout the middle ages, the Roman poet Virgil was commonly believed to have been a great magician. Traditions were recorded by monastic chroniclers about him, that he made a brass fly and mounted it over one of the gates of Naples, having instilled into this metallic insect such potent magical qualities that as long as it kept guard over the gate, no musquitos, or flies, or cockroach, or other troublesome insects could exist in the city. What would have become of the celebrated Bug Powder man in those days? The story is told about Virgil as well as about Albertus Magnus, Roger Bacon, and other magicians, that he made a brazen head which could prophesy. He also made some statues of the gods of the various nations subject to Rome, so enchanted that if one of those nations was preparing to rebel, the statue of its god rung a bell and pointed a finger toward the nation. The same set of stories tells how poor Virgil came to an untimely end in consequence of trying to live forever. He had become an old man, it appears, and wishing to be young again, he used some appropriate incantations, and prepared a secret cavern. In this he caused a confidential disciple to cut him up like a hog and pack him away in a barrel of pickle, out of which he was to emerge in his new magic youth after a certain time. But by that special bad luck which seems to attend such cases, some malapropos traveller somehow made his way into the cavern, where he found the magic pork-barrel standing silently all alone in the middle of the place, and an ever-burning lamp illuminating the room, and slowly distilling a magic oil upon the salted sorcerer who was cooking below.