The Humorous Poetry of the English Language; from Chaucer to Saxe
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The Humorous Poetry of the English Language; from Chaucer to Saxe
American poetry; American wit and humor; English poetry; English wit and humor; Humorous poetry, American; Humorous poetry, English
But his smiling, alas! could no longer deceive--
I fell back on BOB--my whole heart seem'd to wither,
And, pale as a ghost, I was carried back hither!
I only remember that BOB, as I caught him,
With cruel facetiousness said--"Curse the Kiddy,
A staunch Revolutionist always I've thought him,
But now I find out he's a COUNTER one, BIDDY!"
Only think, my dear creature, if this should be known
To that saucy satirical thing, MISS MALONE!
What a story 't will be at Shandangen forever!
What laughs and what quizzing she'll have with the men!
It will spread through the country--and never, oh never
Can BIDDY be seen at Kilrandy again!
Farewell--I shall do something desperate, I fear--
And ah! if my fate ever reaches your ear,
One tear of compassion my DOLL will not grudge
To her poor--broken-hearted--young friend,
BIDDY FUDGE
Nota Bene,--I'm sure you will hear with delight,
That we're going, all three, to see BRUNET to-night
A laugh will revive me--and kind Mr. Cox
(Do you know him?) has got us the Governor's box.
[Illustration: POPE.]
THE LITERARY LADY.
RICHARD BRINSLEY SHERIDAN.
What motley cares Corilla's mind perplex,
Whom maids and metaphors conspire to vex!
In studious dishabille behold her sit,
A lettered gossip and a household wit;
At once invoking, though for different views,
Her gods, her cook, her milliner and muse.
Bound her strewed room a frippery chaos lies,
A checkered wreck of notable and wise,
Bills, books, caps, couplets, combs, a varied mass,
Oppress the toilet and obscure the glass;
Unfinished here an epigram is laid,
And there a mantua-maker's bill unpaid.
There new-born plays foretaste the town's applause,
There dormant patterns pine for future gauze.
A moral essay now is all her care,
A satire next, and then a bill of fare.
A scene she now projects, and now a dish;
Here Act the First, and here, Remove with Fish.
Now, while this eye in a fine frenzy rolls,
That soberly casts up a bill for coals;
Black pins and daggers in one leaf she sticks,
And tears, and threads, and bowls, and thimbles mix.
NETLEY ABBEY.
[Footnote: A noted ruin, much frequented by pleasure-parties.]
R. HARRIS RARHAM
I saw thee, Netley, as the sun
Across the western wave
Was sinking slow,
And a golden glow
To thy roofless towers he gave;
And the ivy sheen
With its mantle of green
That wrapt thy walls around,
Shone lovehly bright
In that glorious light,
And I felt 't was holy ground.
Then I thought of the ancient time--
The days of thy monks of old,--
When to matin, and vesper, and compline chime,
The loud Hosanna roll'd,
And, thy courts and "long-drawn aisles" among,
Swell'd the full tide of sacred song.
Public-domain text, read in full here on John Shaqi.
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