The portrait brought me much honour. In the delight of his heart the
Inspector showed it to my comrades, and now they all wanted to be
painted. With all sorts of devices we wheedled the Inspector into
letting one or two of my friends come in to me. My painter’s work-shop
was as good as any other; the light came from above, and it was the
coolest north-light a painter could wish to have. Besides, I had an
advantage over and above my colleagues in the art: the people that sat
to me were used to sitting still, and could stand it for any length of
time, and when I shoved my table up close upon them, and G. moved his
chair to within half a foot of theirs, they sat as in a vice, and there
was no escaping; they had to bear it.
Here I’ll have to confess that during this time I sinned more than once
against the image of God; I painted faces that never were, and never
could be, and I painted them with colours that don’t occur anywhere
else in life. The black-headed ones I managed to do to my satisfaction,
but when a flaxen-head happened along then it was pretty bad. I had
got the habit--more’s the pity--of shading flaxen hair with green, and
as I was given to working over the face pretty freely with sienna, my
flaxen-haired portraits seen at a little distance looked for all the
world like a pine-apple, especially when it so happened that there was
a green coat below.
My pictures were mostly sent to old fathers and mothers, or sisters and
brothers, for their birthday or for Christmas; and if any of these good
folks should be alive now, I will take this opportunity of asking their
forgiveness if I gave them a fright for the holidays about the looks of
their relatives. I know that my old father wrote me, when I sent him my
own portrait, which was very like, that it gave him a heart-sinking to
see how horribly I had changed.
Be that as it may, it gave us the opportunity of visiting each other,
and though D. did not take kindly to this innovation, and threw a wet
blanket over our enterprise whenever he could, he always relented a
little after a fresh pound of tobacco; and when I caught him helping
himself from the box of cigars that a good friend in Lübeck had sent
to my friend G., and when the Major in person wanted to be painted by
me, then his severity disappeared, and he walked up and down the long
corridor like a cherubim that has put his flaming sword into the sheath
for fear he might scorch his wing-feathers.
Public-domain text, read in full here on John Shaqi.
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