The chorus would greatly have preferred to be present from beginning
to end, after the fashion of its antique prototypes in Sophocles
and Euripides, but there was nothing for it but to yield. It took a
covered position, attentively re-read the melodious lyric made to fit a
well-known tune, and cleared its throat.
The clock on the mantel struck nine; the Medicinalrath still stood
sentinel at the right of the mirror, conversing with the aristocratic
element. In the background preparations for a sacrificial offering of
tea seemed to be going on, but no one ventured to begin the solemn
ceremony. My conjecture was that the hostess feared thereby to offend
the august spirit of the expected genius.
It struck a quarter, it struck half-past--still no Liszt!--
The Medicinalrath and his æsthetic wife moved nearer to the windows,
and convulsively started every time a carriage passed near enough
to give one reason to suspect it of an intention of stopping. The
assembled guests had said everything they had to say, and the need of
an impetus, physical or psychical, was making itself sadly felt.
“We certainly cannot have tea served now. He may come at any moment.
The effect would be quite lost!” whispered the Frau Medicinalräthin as
her husband approached her, reminding her of the bodily needs of her
guests.
A general restlessness took possession of those assembled. “Punctuality
is the politeness of kings, but not of geniuses!” a young lawyer, who
was at other times the Aristophanes of these receptions, ventured to
remark with some bitterness.
“Liszt did not name the hour, I should say by way of vindication;
he merely promised to come. You know that his time is tasked to
the utmost. A king may seclude himself from his worshippers, but a
_virtuoso_ has not an hour of the day to call his own,” said the
Medicinalrath, soothingly.
A carriage came rattling wildly up to the door and stopped. “It is he!”
cried an academic youth, whom the master of the house had stationed as
a sentry at the first window.
The moment was overwhelming. As fast as circumstances would permit the
guests grouped picturesquely. The Medicinalrath took the centre at the
right of the mirror; his lady, our gracious patroness, seized the
white silk ribbons on which the ode had been printed in gilt letters.
The chorus of priestesses arranged itself artistically about her; the
chorus of Berlin youths began to sing in the adjoining room; we mutes
sent greedy eyeshots to meet the expected.
A nimble young man put his small, coal-black head through the door, and
seemed undecided to whom to turn.
“Pfeffermünze,” whispered an old gentleman to the Medicinalrath, “that
is not Liszt!”
Public-domain text, read in full here on John Shaqi.
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