The illustrious one bore all of the trials inflicted upon him with rare
firmness; he deported himself somewhat as a prince humouring a company
of persons of little estate, permitted aspiring instrumentalists and
singers, professionals and amateurs, to be presented, said something
apt and encouraging to each, jested with the ladies in a courtly
manner, and endured the aged with a philosophic resignation rare
in one of his years. He escaped from tea, it probably having been
urged upon him five times already. The whole company was intoxicated
by the charm of his manner. More than twenty album-leaves had been
clandestinely introduced by the ladies, and he wrote his name on each
without a groan. I feared in secret that one of the fair Delilas might
stealthily draw a pair of scissors out of her pocket and clutch the
lion’s mane as a signal for the lurking envy which began to show signs
of being abroad. But the god of the muses watched over his precious
head; he kept his locks and his titanic strength, and he permitted
himself to be persuaded to play. Counting by the programmes of previous
concerts, and the receipts consequent upon the high price of admission,
he magnanimous fellow played, at a modest estimate, for 375 thalers.
[Illustration: “HIS APPRECIATIVE HOST AND HOSTESS EXERTED THEMSELVES TO
GET HIM INTO HIS SABLE GREATCOAT.”]
The Frau Medicinalräthin would have given a great deal to induce him
to finish the fourth hundred, and she did her very best to force the
poor unfortunate to give her the Chromatic Gallop. It was not possible.
Inexorable fate still had a _souper_ in store with which the genius
was to finish the day’s task. It became necessary to dismiss him.
As he went all the guests escorted him to the ante-chamber, his
appreciative host and hostess personally exerted themselves to get him
into his sable greatcoat. Deep sorrow shone in the eyes of the Frau
Medicinalräthin, perhaps at her inability to be able to induce the
vocal youths of Berlin to prostrate themselves before him by way of a
musical carpet to the master’s carriage.
The reputation of her _salon_ had been established for one generation.
_E. Kossak_ (1814-1880).
_A PRINCE IN DISGUISE._
[Illustration: “IN SHORT, IT WAS A LIVELY INNINGS.”]
Public-domain text, read in full here on John Shaqi.
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