(_The judges put their heads together. After some time the Chairman
announces that the court rejects the arguments of the defence as
irrelevant, and demands the cross-examination of the witness._)
_Chairman._ Freiherr von Beust! Not related to the accused?
_Witness._ No.
_Chairman._ Not in his service?
_Witness._ No.
_Chairman._ In his fifth letter the _Kleinstädter_ quoted a long
telegram with the signature of your Excellency, which your Excellency
was said to have addressed to the diplomatic representatives at the
_Journalistentag_. Will your Excellency have the kindness to inform us
as to the precise facts?
_Witness._ Well, now, good friend, I’m afraid I’ll not be able to help
you. I have sent a good many telegrams in my day.
_Chairman._ Thank you. (_Witness leaves the stand. Chairman addresses
the jury._) Provided the gentlemen of the jury have no objections
to offer, I will cross-examine the other witnesses all together.
Fourth, fifth, and sixth witnesses: Victor Hugo, public writer on the
Isle of Guernsey; Richard Wagner, musician _in spe_, and just now in
Switzerland; and third, the man who wrote the prize novel! Gentlemen!
in the letters of the _Kleinstädter_ he quotes, or pretends to quote,
from your writings; from you, Victor Hugo, a chapter from an unprinted
novel about Barbara Ubryk, entitled, “_La nonne qui ne rit pas--mais
pas du tout_.” The chapter to be headed, “Naxos, nix, nox, nux,” and
beginning, “Night. Deep night, gloomy, dark. Upon the ground rotten
straw. Husks and stems without fruit. In a word, straw.” From you, Mr.
Wagner, he quoted verses from _Rheingold_--
“Winselnde Winde
Wagalaweia!
Oh Eselinde,
Oh Eseleia!”
From you, prize-crowned poet, the novel, _The Bloody Tragedy at the
Churchyard_. Are these quotations authentic--are you the authors of the
same?
_Witnesses_ (_in concert_). No. (_They sit down._)
_Chairman._ Has the accused anything to say for himself?
_The Accused._ Nix.
_Chairman._ The list of witnesses is exhausted; the representative of
the plaintiff, the Crown Solicitor, has the floor.
Public-domain text, read in full here on John Shaqi.
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