“Heaven help us! _Tarar!_ Ah, dear friend! To think that I should live
to see it! Two years ago, when Mozart was writing his _Don Juan_,
and that confounded villainous Salieri was also making preparations
to repeat the triumph his piece brought him in Paris upon his own
territory, and when he and his boon-companions thought they had plucked
the _Don Juan_ as they had _Figaro_, leaving it neither dead nor alive
to put it upon the stage,--don’t you remember, I then and there took
a vow not to go and see the infamous piece, and I kept my word. When
everybody rushed to the show--you too, dear Frau Oberst--I sat down
quietly by my stove and took my cat upon my lap to spend the evening.
But now, think of it! _Tarar_ on the Berlin stage, the work of his
bitterest enemy, directed by Mozart! ‘You must come,’ he said to me,
‘though it were only to tell them in Vienna that I do not hurt a hair
of his head. I wish he were here himself, the envious knave, to see
that there is no need for _me_ to murder another fellow’s thing to
remain what I am!’”
“Brava! bravissima!” exclaimed Mozart with roaring delight. He took his
little wife by the ears, kissing and tickling her, until this bright
soap-bubble game of a dreamy future--which, alas! never approximated
this happy culmination--ended in mirth and boisterous laughter.
Meanwhile they had reached the valley, and were approaching a village
which they had noticed from the hill-top, and behind which a pleasant
country-house in modern style, the residence of the Count von
Schinzberg, became visible. It was their intention to rest and dine
in the place. The inn where they stopped was quite at the end of the
village, and close beside it a by-road planted with a row of poplars
led to the garden of the Count.
Mozart left the ordering of dinner to his wife, merely signifying his
intention of having a glass of wine in the common room below, while
she asked for a drink of water and for a quiet spot in which to enjoy
a peaceful hour’s sleep. She was shown up a flight of stairs, her
husband following, humming and whistling a tune as he went. In a newly
whitewashed room, just aired, there was, among other old-fashioned
furniture of noble origin,--which had, no doubt, wandered hither out of
the possessions of the Count,--a neat, airy bed, with a painted canopy
resting on slender green posts, the silk curtains of which had long ago
been replaced by some more common fabric. Constanze exacted a promise
from her husband to be waked in time, and bolted the door behind him,
he seeking amusement in the common tap-room. There was not a soul
there, however, except the host; and, finding the conversation of the
latter as little to his taste as the wine, he thought to fill out the
time before dinner with a walk to the Count’s park. He was told that
respectable strangers were allowed to enter, and, moreover, the family
had gone out for a drive.
Public-domain text, read in full here on John Shaqi.
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