“No, no. I’ll send for some more. One of the boys’ll run for it quick. She won’t know. Secretly; d’you see? There’s no difficulty. Own money.... Just see there,” and the choir-master pulled a rouble note out of his waistcoat pocket. “Only do as I tell you! It’s all according to law.... D’you see?” The deacon nodded his head and laid down his hat. At this the choir-master clapped him on the shoulder and winked significantly. “Pètia!” he whispered, going into the ante-room, and shaking a slumbering treble. “Pètia, make haste! Like a flash of lightning, you know—to the publichouse. Off with you!” Five minutes later the choir-master was pouring out a sixth glass for the deacon. It was only then that he suddenly remembered the tenors and basses, who, not able to endure this sight any longer, had in sheer desperation made up their minds to go home. “Come along, come along! What are you afraid of?” said the choir-master, with a faint attempt to keep up his dignity in the eyes of his subordinates. The singers started, and one after another came up to the table. Koustòdiev took a glass, looked at it, held it up to the light, and suddenly, as if struck with a new idea, turned it upside down into his mouth, without eating anything. “Pàvel Ivànovich, and you?” Pàvel Ivànovich modestly declined. “Why?” “Thanks, I won’t take any.” “Stuff and nonsense! Why not?” “N—no, I ... really——” “Rubbish!” “No; you must excuse me. I have taken a pledge.” “When?” “More than a month ago.” “As you like.” Pàvel Ivànovich reddened and sat down; the other singers began to make fun of him. The choir-master, meanwhile, had worked himself up to such a condition of temerity that he no longer took any notice of the ominous symptoms of an approaching domestic storm which were plainly audible from the bedroom. By the time the second pint of spirit was finished the singers had arrived at the stage of walking unceremoniously up and down the room, and had begun to talk so loud that their conversation sounded remarkably like quarrelling. The room grew close and stifling, the candle began to flare, the deacon’s cigar-smoke got into the people’s eyes. The choir-master, holding the deacon by his coat-button, assured him for the tenth time (_à propos_ of nothing) that his wife was an angel, and that but for her he should have come to utter ruin. The conversation then jumped with extraordinary rapidity back to music, and the deacon affirmed that C sharp major and G minor are the same, and that the whole thing depends upon how you breathe, and finally proved to demonstration that “all these composers” ought long ago to have been kicked down stairs. Notwithstanding all this, the choir-master once more went into the ante-room, waked Pètia, and sent him for a third pint. “No, no; wait a bit! Just hear what I tell you!” yelled the choir-master, holding the deacon by the coat. “All that’s idle talk.”