_Karp._ What should I listen for? It’s not worth while when _you_ talk.
Ah-h-h-, Oulìta Nikìtishna! (_Threatens with his finger._) You were told
to hold your tongue! I want the lass to feel what I’m doing for her; and
here you come in with your chattering!... (MATRYÒNA _hides her face with
the other sleeve_.) She’s only my second cousin twice removed, and yet I
give her a dowry. I’m the benefactor of all my kindred. There’s another
little one; I shall take her in Matryòna’s place, and bring her up, and
settle her in life. (_Silence._)
_Oulìta._ Are you quite sure he will love you, my dear?
_Serafima._ Why not, mamma? There’s nothing objectionable in my
character. The only thing is ... when I was at boarding-school they used
to say that I had no comprehension of music whatsoever, and that I was
dreamy, and given to meditating about nothing; and then, I’m very fond
of sweets—perhaps he won’t notice that though. There is one thing more:
I’m very bad at counting silver money——
_Karp._ Oh, that’s nothing! You’ll soon get into it.
_Serafima._ Perhaps he won’t like my being economical; but then, how
could I manage otherwise? I only try to live within my income, and not
run into my capital. What should I be without capital? I should have no
value at all!
_Karp._ Of course not!
_Serafima._ And I know how to add up interest—on paper; I was taught
that at boarding-school. I can’t do it without paper, though.
(_Meditates._)
_Oulìta._ What are you thinking about, child?... Why, what a silly I am!
It’s not much wonder that you think, poor girl! Such a change in your
life! And there’s no telling beforehand how it’ll turn out.
_Serafima._ No, mamma, it’s not that. I’ve just been buying some
ribbon—seven ells at eighty kopecks, paper money; and I was just
thinking how much that would be in silver money, and how much change I
ought to have from three roubles. (_Takes out purse and looks into it._)
_Karp._ Rouble sixty kopecks—one rouble forty change.
_Serafima._ Are you sure, papa?
_Karp._ Why, bless the girl, what else could it be?
_Serafima_ (_puts back purse_). All right.
_Oulìta._ Are you sure he doesn’t drink?
_Karp._ There you are again! Everybody drinks nowadays.
_Oulìta._ I mean, you’d better ask what he’s like when he’s drunk.
_Karp._ Ah! that’s another matter!
_Oulìta._ Because, you know, some people are so quiet in drink that it
really doesn’t matter. It’s just as if they weren’t drunk.
_Serafima._ All right, mamma; I’ll ask. I must go now.
_Oulìta._ Oh, no! You mus’n’t, indeed; stop a bit. You’re so fond of
sweet things.... We’ve got some splendid fruit. Run and fetch it,
Matryòna; it’s on my bedroom window-sill. (MATRYÒNA _goes out, comes
back with fruit, offers it to_ SERAFÌMA, _and then places it on table_.)
Take some, dear child; take some. Won’t you have some liqueur?
_Serafima._ Really, mamma!
_Oulìta._ Have a glass of beer, darling.
_Serafima._ You know I never drink it.
_Oulìta._ Well then, mead?
Public-domain text, read in full here on John Shaqi.
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