_Oulìta._ Serafimoushka! I’d almost forgotten! There’s one more thing
you must certainly do; now mind you don’t forget. When you’ve found out
all about your lover, and are sure he’s not a spendthrift, or a
drunkard, or a gambler, go to the wise woman, Paràsha. You must go in
quietly, and ask: “Will God’s servant, Serafima, be happy with God’s
servant”——what’s his name?
_Serafima._ Paul.
_Oulìta._ “With God’s servant, Paul?” And whatever she tells you, do
accordingly.
_Karp._ Don’t you do anything of the kind.
_Oulìta._ Look here, Karp Kàrpych, I always obey you in everything; but
this is not your business; it’s woman’s business! Don’t listen to him,
Serafimoushka; do as I tell you. I’m your mother; I shan’t advise you
wrong.
_Serafima._ Very well. (_Rises._) Good-bye, mamma; good-bye, papa.
(_Kisses them._)
_Karp._ And listen here! You tell your lover that, if he behaves to me
respectfully and properly, I’ll give him a good fur cloak; and if he
doesn’t, I’ll take it away again. (_Exeunt._)
PICTURE III.[14]
DRAMATIS PERSONÆ.
PAUL.
SERAFÌMA, _his wife_.
MADAME PRÈZHNEV.
A PERSON UNKNOWN, _a friend of Paul, middle-aged, with Greek profile and
gloomy expression of face_.
A MAID-SERVANT.
A FOOTMAN.
(_A richly-furnished study._ PAUL _sits at the table writing. Enter_
FOOTMAN.)
_Foot._ Pàvel Petròvich, the tailor and carriage-builder are waiting.
_Paul_ (_turning round_). Send them off!
_Foot._ They won’t go, sir.
_Paul._ Then tell them to come next week.
_Foot._ I told them; but they won’t go.
_Paul._ You surely don’t expect me to come out and speak to them myself?
Tell them anything you like. You see I’m busy. You’re always disturbing
me; be off with you!
_Foot._ There’s a gentleman that asks to see you too, sir.
_Paul._ Turn him out too.
(_The person unknown comes in at the door. The_ FOOTMAN _sees him, and
exit_.)
_Unknown._ Turn Nature out at the door, she’ll come in at the window.
_Paul_ (_rises_). Oh! my dear fellow! I didn’t know it was you; I really
beg your pardon.
_Unknown._ No; you didn’t know. (_Inspects Paul from head to foot; then
begins examining the room._)
_Paul._ Indeed I didn’t know. You don’t suppose I should have refused to
see you?
_Unknown_ (_sits down_). There, that’ll do, that’ll do.
_Paul._ Won’t you have a cigar?
_Unknown_ (_smiling ironically_). A cigar? And when am I to have the
money?
_Paul._ Very soon now.
_Unknown._ Which do you mean by that—now? or very soon?
_Paul._ Soon; quite soon.
_Unknown._ You’ll pay it soon? (_Looks intently at_ _Paul_.) And
supposing I don’t believe you?
_Paul._ How can you help believing, when the document is in your hands?
_Unknown._ That’s just it! The date in the document is up; and all this
is not yours, but your wife’s.
_Paul._ That’s all the same.
_Unknown._ No; not all the same.
_Paul._ Well, then, what do you want?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account