Adventure stories; Detective and mystery stories; London (England) -- Fiction
"In your case, the plan agreed on was a very simple but an effective
one. The first idea was to give you a fright, and then to take you off
on all manner of excursions, so that you would not realise when the
supreme test came what and which it was. Hence the deaths on the
mountain and in the snowstorm. The real trial came when we played with
all the force we could on the one string we knew held you like a vice--
your love of manuscripts. Would you respond to this and renounce your
birthright, or not?
"Luckily, you did not, although we bent every energy we had, every trick
we knew, to lure you into the trap, using hasheesh, chloroform, anything
that suited our purpose, to make our stage scenes seem to you the more
vital, the more real. In the end you made the supreme refusal--you
would not cease to be an Englishman. Therefore all our show ended as
suddenly as it had begun. We had tested you, and we had found you were
really the patriot you had always pretended to be to Jose Casteno when
any question arose of the safety or the use of those three manuscripts
that gave the whereabouts of the Lake of Sacred Treasure.
"We wanted to learn no more then. We decided there and then that you
were the kind of novice which the Order of St Bruno required, and we
hastened back to our proper garbs again, anxious only now to bring the
ceremony of initiation to an end. Hence it has come about that only one
other test remains to be applied to you, and then you will be free to
enter forthwith on all the rights and privileges of our brotherhood,
which are, I am to explain, very numerous, far-reaching, and valuable.
"Do not fear it. In character, in effect, it is totally different to
any experience you have been through; but our noble founder, Bruno
Delganni, held it to be a very precious expedient to practise, and in
his institutes, which we follow with scrupulous exactness, he lays it
down in the clearest fashion that on no account must we omit it, however
enthusiastic we may feel at the conduct of our novice in the other and
more theatrical tests we have applied to him."
"Very well," I said resignedly. "I am prepared. Do with me as you
will." And taking the glass of wine he pressed on me I drained it, and
then seated myself once more in the chair to await developments,
although in my inmost heart I felt so upset and confused that I hardly
knew how to speak.
With a stately inclination of the head the old monk passed through the
doorway and left me.
Slowly, very very slowly, the light faded, and then I became surrounded
by soft greyish darkness that afflicted me with a sense of intense
mournfulness.
CHAPTER TWENTY ONE.
THE USE OF THE IMAGE.
Public-domain text, read in full here on John Shaqi.
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