The Hundred, and Other StoriesBrownell, Gertrude Hall
General
The Hundred, and Other Stories
Brownell, Gertrude Hall
American fiction -- 19th century; Short stories, American
"The air is good enough. The grass is certainly green. But oh, the
people are green too! But now you are here, we will change all this,
dear. What a holiday! You will inspire us. We will rise up, and look
into our closets, and fetch out wherewith to make a good impression
on the stranger. You bring the very air of civilization with you in
your clothes and hair. Where did you get it, Chlo--the general air, you
know? How ravishingly you do your hair! And that little hat! Now, who
in the world but you would have a hat like that? Oh, you rare darling!
Do you know you are greatly improved? You are thinner, but it suits
you. You always were a beauty, you know. Yes, you were! But you have
acquired so much besides--such an interesting air--yes, you have!--so
much expression. No one could see you without--gospel truth, Chlo! But,
yes--I will--I will hold my tongue. Did you bring your music at least,
for there is a piano, such as it is. Thank Heaven! You shall make their
capture with song. They shall grovel. You know, dear, I am not really
so silly as I seem; your arriving has turned my head. I always did
adore you, but it is even better than I remembered."
Chloris that night, alone at last, tried to readjust herself, to get
back through this new experience her self of yesterday. The morning
of her starting from home, but sixteen hours removed, seemed withdrawn
into a much remoter past; a screen of glittering, crumbling, changing
color was arisen between herself and it. She interrogated her breast
curiously for that pain lately grown so familiar, forgotten for the
first time only in these last hours; her breast did not answer by at
once producing it. She goaded it tentatively with a sharp memory or
two; it responded sluggishly--a divinely restful torpor was possessing
it. She knelt by the window, and looked out at the still, strong, black
mountains; instinctively she wafted profound thanks to their rude
majesties. Far, far away in her dream at this moment, in an infinitely
small, sun-warmed, murmuring plain, moved two tiny figures: the great
Damon, who erewhile filled the entire horizon of her life, and the
great Cytherea, who interposed her fair shape between her and the sun,
shutting off the light of life--two tiny black figures, in a far-off,
sunshiny place it fatigued her to think of. Only the mountains were
big and important; and this cool, rough bedchamber was fifteen by
twelve; only Fidele and herself and the people seen for the first time
this evening were life-size and real.
Stretching her tired limbs in the bed, that had nothing to-night in
common with the rack, feeling natural sleep creep over her as it had
long not done, she remembered with a vague joy that she was young; she
divined a time ahead--perhaps not so far ahead either--when life would
become possible again.
Public-domain text, read in full here on John Shaqi.
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