Let us watch the Wasp as she returns to the burrow with her capture
held under her abdomen between her legs. Here comes one, the Tarsal
Bembex (B. tarsata), who arrives laden with a Bee-fly. The nest is
situated at the sandy foot of a steep bank. The huntress announces her
approach by a shrill humming, which has something plaintive about it
and which continues until the insect sets foot to earth. We see the
Bembex hover above the bank and then dip straight down, very slowly and
cautiously, all the time emitting her shrill hum. Should her keen eye
descry anything unusual, she slackens her descent, hovers for a second
or two, goes up again, comes down again and flies away, swift as an
arrow. After a few moments, here she is once more. Hovering at a
certain height, she appears to be inspecting the locality, as if from
the top of an observatory. The vertical descent is resumed with the
most cautious slowness; finally, the Wasp alights with no hesitation
whatever at a spot which to my eye has naught to distinguish it from
the rest of the sandy surface. At that instant the plaintive whimper
ceases.
The insect, no doubt, has landed more or less on chance, since the most
practised eye cannot distinguish one spot from the other on that
expanse of sand; it has alighted somewhere near its home, of which it
will now seek the entrance, concealed after its last exit not only by
the natural falling-in of the materials but also by the Wasp’s own
careful sweeping. But no: the Bembex does not hesitate at all, does not
grope about, does not seek. By common consent the antennæ are looked
upon as organs for guiding insects in their searches. At this moment of
the return to the nest, I see nothing particular in the play of the
antennæ. Without once letting go her prey, the Bembex scratches a
little in front of her, at the very spot where she has alighted, gives
a push with her head and straightway enters, with the Fly under her
abdomen. The sand falls in, the door closes and the Wasp is at home.
Public-domain text, read in full here on John Shaqi.
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