Commander N. Brango of Navy reconnaissance says: “Yes, we get a good
many requests from men who want to go along. Would you like to go on an
eight- to ten-hour flight in a four-engine, thirty-ton, Navy patrol
plane? You will probably see some of the beautifully lush islands of the
Antilles chain, waters shading gradually from pale green to a deep clear
emerald, shining white coral beaches, native villages buried in tropical
jungles, and many other sights usually referred to in the travel
advertisements.
“Doesn’t that sound enticing? There is just one catch. You may have to
spend four to five hours of your flight-time shuddering and shaking
around in the aircraft like an ice cube in a cocktail shaker, with rain
driving into a hundred previously undiscovered leaks in the plane and
thence down the nearest neck. You may bump your head, or other more
padded portions of your anatomy, on various and sundry projecting pieces
of metal (of which there seem to be at least a million). You may not be
able to see much of anything, at times, since it will be raining so hard
that your horizontal visibility will be nil, or you may be able to catch
glimpses, straight down about 300 feet, of mountainous waves and an
ocean being torn apart by winds of 90 to 150 miles per hour. There’s one
thing I will guarantee you, you won’t be writing postcards to your
friends saying, ‘Having a wonderful time, wish you were here,’ because
you won’t be able to keep the pen on paper long enough to write much of
anything.”
You have guessed by now that the carefully phrased invitation was just a
trap to get you aboard one of the Navy’s “Hurricane Hunter” patrol
planes as it departs on a hurricane reconnaissance mission. According to
Brango, these flights have been described by visiting correspondents,
using “thrilling,” “awe-inspiring,” “terrifying,” and other equally
impressive adjectives. Actually, it is difficult to find words to
describe such a flight. That it is hazardous is obvious, but the feeling
that accomplishing the mission may mean the saving of many lives and
much property makes it seem worth doing—not to mention the lift received
from an occasional “well-done” from up the line.
Just to indicate to the prospective guest what it may be like, Brango
gives “Caribbean Charlie” of 1951 as an example.
Public-domain text, read in full here on John Shaqi.
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