The Husband's Story: A NovelPhillips, David Graham
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The Husband's Story: A Novel
Phillips, David Graham
Husband and wife -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
“Yes--and no,” replied she, with constraint and some confusion. “A year
or so ago I--people thought--you and she had--had drifted apart. Then
it looked as though you had come together again. It seemed the natural
thing. She is beautiful and has so much charm.”
“She was unhappy in America. She wished to be free.”
Mary looked at me reflectively. “You are not--inconsolable, I see,”
said she with a smile of faint raillery. “My brother has often told me
about you--how indifferent you are to women. Perhaps that is why you
are attractive to them.”
“Am I?” said I. “I did not know it.”
“You are terribly impersonal,” she went on laughingly. “Last summer
I--well, I was not--that is, not exactly--trying to flirt with
you. But your absolute unconsciousness of me as a woman was often
very--baffling.”
I laughed. “You thought that?”
“How could I help seeing it? Why, you treated me precisely as if I were
another man. Not that I didn’t like it, on the whole. A woman gets
tired of being always on guard.” She smiled at herself. “That sounds
horribly conceited. But you know what I mean. The men never lose a
chance to practice. Then, too--well, if a woman has the reputation of
being rich she need not flatter herself that it is her charms that do
all the drawing.”
“That’s the supreme curse of money--it all but cuts one off from love
and friendship. Fortunately it, to a great extent, takes the place of
them.”
“I don’t like to hear you say that,” said she.
“How many poor people get love and friendship?” replied I. “Isn’t
it the truth that there is little--very, very little--real love
or friendship in the world? All I meant was that money, and the
independence and comfort and the counterfeit of affection it brings,
are better than nothing at all.”
“Oh, I see,” said she. “You are so sensible--and you don’t cant. That
was why I liked to talk with you. At first I thought you cynical and
hard. That’s the first impression plain good sense makes. We are used
to hearing only shallow sentimentality.”
“The unending flapdoodle,” said I.
“Flapdoodle,” agreed she. “Then--I began to discover that you were
anything but hard--that you looked at people as they are, and liked
them for themselves, not for what they pretended to be. I was beginning
to trust you--to venture timidly in the direction of being my natural
self--when you left.”
“Well--here I am again,” said I. “And we start in afresh.”
She smiled with embarrassment. “Yes,” she said hesitatingly. “But the
circumstances have changed somewhat.”
Public-domain text, read in full here on John Shaqi.
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