The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writersGregory, Arthur E. (Arthur Edwin)
Religion
The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writers
Gregory, Arthur E. (Arthur Edwin)
Hymn writers; Hymns, English -- History and criticism
It must be remembered also that the Free Churches were already rich in
hymns when the nineteenth century dawned, whilst the Tractarians had
to make, translate, or borrow from the Nonconformists, hymns for their
special needs. Methodism had an ample supply of hymns for such Church
festivals as it desired, and the observance of festivals and other
ecclesiastical occasions was only gradually adopted in the older
Nonconforming Churches. When at length they felt the need for such
hymns as form the characteristic portions of Anglican hymnody they
were already to hand; and after the first natural prejudice against
everything that savoured of the ritualistic movement had passed away,
they found hymns intended to be the exclusive property of the
Anglicans admirably suited to their own newly awakened Church
consciousness. There is something delightful and even amusing in the
readiness with which such hymns as ‘The Church’s one Foundation’ and
‘Onward, Christian soldiers’ have been adopted by all the
denominations. The Baptist and the Bible Christian sing with as simple
confidence as the highest of Anglicans:
Like a mighty army
Moves the Church of God;
Brothers, we are treading
Where the saints have trod;
We are not divided,
All one body we,
One in hope, in doctrine,
One in charity.
They may have different thoughts as to Apostolic Succession, but as
long as we believe that where Christ is there is the Church such hymns
belong to all.
But though Nonconformity was rich in hymns and could take without
scruple many of the Anglican songs, the nineteenth century was very
far from being altogether barren in regard to the Free Churches.
Two hymn-writers mark the transition from the eighteenth to the
nineteenth century—James Montgomery and Thomas Kelly. They lived, it
is true, into the second half of the last century, but their hymns are
an aftermath of the Evangelical Revival. The later Oxford Movement did
not affect them, and their songs might all have belonged to the
earlier period, save for the missionary enthusiasm which inspires some
of their best efforts.
Public-domain text, read in full here on John Shaqi.
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