The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writersGregory, Arthur E. (Arthur Edwin)
Religion
The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writers
Gregory, Arthur E. (Arthur Edwin)
Hymn writers; Hymns, English -- History and criticism
Frederick William Faber (1814-63) did for English Romanists what Watts
had done for Nonconformists more than a hundred years earlier. He is
the Watts and Wesley of Romanism. Faber ‘went over’ in 1846, after a
brief ministry in the Anglican Church. He lamented that Catholics had
not ‘the means of influence which one school of Protestantism has in
Wesley’s, Newton’s, and Cowper’s hymns, and another in the more
refined and engaging works of Oxford writers.’ As ‘an English son of
St. Philip’ Neri, he claimed to be following in the steps of that
‘right merry saint’ in his attempt to provide ‘English Catholic hymns
fitted for singing.’ ‘St. Philip devised a changeful variety of
spiritual exercises and recreations, which gathered round him the art
and literature, as well as the piety of Rome, and was eminently
qualified to meet the increased appetite for the word of God, for
services in the vernacular, for hymn-singing and prayer-meetings.’
These last words have a fine Methodist flavour, and increase one’s
sympathy with their writer. But it must be admitted that Faber was a
thorough-going Romanist. He believed that ‘God raised up our dear and
blessed Father, St. Philip ... just as the heresy of Protestantism was
beginning to devastate the world.’[204] Faber’s hymns must not be
judged simply by our Protestant versions, but we may be thankful that
he gave a new and better tone to the hymn-singing of the Roman Church.
His best hymns, with their exquisite yearning tenderness, are so dear
to us that there is no need to speak of them; they speak the language
of the Christian heart, and he who sings thus sings the Holy Spirit’s
song.
It must be admitted, however, that we have taken the best of Faber
into our hymnals, and the residue is not—from the Protestant
standpoint—of great value. What one may call the lighter songs of
Roman Catholic psalmody are so little known to us that I quote, as a
favourable illustration of a class of hymn that bulks largely in
Romanist books, two verses of Faber’s song for St. Patrick’s Day. One
can readily imagine that such a hymn would be popular in Ireland, and
serve to keep alive the legend of St. Patrick.
All praise to Saint Patrick who brought to our mountains
The gift of God’s faith, the sweet light of His love!
All praise to the shepherd who showed us the fountains
That rise in the heart of the Saviour above!
For hundreds of years,
In smiles and in tears,
Our saint hath been with us, our shield and our stay;
All else may have gone,
Saint Patrick alone,
He hath been to us light when earth’s lights were all set,
For the glories of faith they can never decay;
And the best of our glories is bright with us yet,
In the faith and the feast of Saint Patrick’s Day.
Public-domain text, read in full here on John Shaqi.
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