The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writersGregory, Arthur E. (Arthur Edwin)
Religion
The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writers
Gregory, Arthur E. (Arthur Edwin)
Hymn writers; Hymns, English -- History and criticism
Very surely, though very slowly, the glad evangel of the hymns which
offer pardon and holiness and heaven to all won its way in the
Churches. It is one of the most precious fruits of the Revival that
now hardly any Church can forbear to sing them. Nor is it too much to
say that Methodist hymns, even more than Methodist teaching, broke
down the Calvinistic idea of the Church—
We are a garden walled around,
Chosen and made peculiar ground;
A little spot enclosed by grace
Out of the world’s wide wilderness.
Again, John Wesley’s hymns gave a great impulse, and added a great
sanction, to the expression of personal experience in hymns. They were
unfettered by what has been well described as the ‘old traditions of
reserved and reticent worship.’[114] For good or ill, there is little
of reserve or reticence in Charles Wesley’s hymns.
What we have felt and seen
With confidence we tell.
Many poets of the sanctuary have felt that the most sacred experiences
of the penitent sinner and of the sanctified believer were not to be
put into words, that to utter them was to expose to the coarse breath
of the world what must perish in the very act of expression. It was
not without an effort that Charles Wesley broke through this
‘reserve;’ yet he did, and that not only from a sense of duty, but
from a conviction that to be silent would be a cowardly yielding to
the temptation to shun the reproach of Christ.
And shall I slight my Father’s love?
Or basely fear His gifts to own?
Unmindful of His favours prove?
Shall I, the hallowed cross to shun,
Refuse His righteousness to impart,
By hiding it within my heart?[115]
Moreover, many of Charles Wesley’s hymns—especially the more
personal—were intended to be sung ‘secretly among the faithful,’
rather than in the congregation. They were written for the family
gatherings of ‘the household of the faith,’ and thus were free from
the restraints which might be necessary in compositions intended for
larger and less sympathetic assemblies.
Wesley’s hymns represented and, to a considerable extent, created the
specific Methodist type of religious thought, emotion, and expression.
They were, also, the vehicle by which doctrine was conveyed to the
minds of the uneducated masses. The great truths which it was the
mission of Methodism to teach are conspicuous in the Methodist hymns.
Justification by Faith, the Witness of the Spirit, Universal
Redemption, Entire Sanctification, are all taught in Charles Wesley’s
remembered hymns as they are in John Wesley’s forgotten tracts. If the
hymns have ceased to be peculiarly Methodist, it is because Christian
experience and teaching have been so largely influenced by them.
Public-domain text, read in full here on John Shaqi.
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