England -- Description and travel; Icknield Way (England); Thomas, Edward, 1878-1917
The town in its turn does watch “The Jolly Drover Tap” and its life.
Why should there be all that space wasted where the elm stands?
people wonder; it is quite old-fashioned, and they smile pityingly,
yet tenderly, when the old tree is crowding into leaf. But when there
are half a dozen rough men and women talking aloud and gesticulating
like foreigners over the price of a long, brown dog that shivers
under a cart, they do not see why it should be so; only, it is “The
Jolly Drover,” and rather difficult to attack. It is extraordinary,
they think as they pass by the turning down to the Tap, how a lot of
lazy fellows, with nothing to do and with only rags on them, can
get enough to spend half a day there. That ought certainly not to be
allowed. These are not the honest poor. Either a man must work, or be
looking out for work in a serious manner, or be so well dressed that he
obviously need not work; or something is wrong. Nor do they invariably
look starved and miserable. They eat and drink and talk to one another.
Where do they come from? Of course they do not live in Coldiston: then
why come here to drink? They cannot, of course, be stuffed into prison
or workhouse or asylum; but is there no other cesspool possible in an
age with a genius for sanitation?
When the blinds are down and the lamp lit, what a jolly place it is!
The light pours out through the door on to the old tree, and makes it
look friendly as you go in, and romantic as you come out. It is best
at haymaking or harvest time in fine weather. The irregular labourers
come into the town, especially on a Saturday, and break their journey
at “The Jolly Drover Tap.” The townsman glances in as he passes, and
sees a tall, straight man in a restful attitude standing up at the
bar, and he has just raised his pot to drink. It is only a glimpse of
a second, but it remains in the mind. The passer-by could not say how
the drinker was clad, except that he wore a loose, broad-brimmed hat on
his head, pushed back so as to leave quite clear against the lamp the
whole of a big-featured, long face, the brow, and the curled hair up
to the crown. Was it coat and trousers, or just shirt and trousers? At
any rate the whole man could be seen underneath. Not that the observer
did not as a rule admire a man fully and fashionably dressed. Only, in
this light, just this harvest evening of purple and of great silence,
the tall man drinking with head thrown back at the end of the passage
looked more like the statues of a bygone age, or the representations
of magnificent men seen in pictures, or the soldiers he has read of
in books about the wars of Roundhead and Cavalier or the invasions of
Wales and Scotland--yes! the height and carriage of this man call up
the words “rough borderer.” A lance or a long sword would look well
in his hands. His hat is not unlike a foot-soldier’s helmet. And then
the face--coarse, fearless, and careless--is an enigma. He is some
Public-domain text, read in full here on John Shaqi.
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