How seriously the question between the Moderns and the Ancients--on whose behalf Boileau had come forward and crossed swords with Saint Sorlin--was taken is shown by the fact that Saint Sorlin, before his death, solemnly bequeathed the championship of the Moderns to a younger man, Charles Perrault. We shall see how he fulfilled the trust. It is illustrated too by a book which appeared in the seventies, Les Entretiens d'Ariste et Eugene, by Bouhours, a mundane and popular Jesuit Father. In one of these dialogues the question is raised, but with a curious caution and evasiveness, which suggests that the author was afraid to commit himself; he did not wish to make enemies. [Footnote: Rigault notes that he makes one contribution to the subject, the idea that the torch of civilisation has passed from country to country, in different ages, e.g. from Greece to Rome, and recently from Italy to France. In the last century the Italians were first in doctrine and politesse. The present century is for France what the last was for Italy: "We have all the esprit and all the science, all other countries are barbarous in comparison" (p. 239, ed. 1782, Amsterdam). But, as we shall see, he had been anticipated by Hakewill, whose work was unknown to Rigault.] The general atmosphere in France, in the reign of Louis XIV., was propitious to the cause of the Moderns. Men felt that it was a great age, comparable to the age of Augustus, and few would have preferred to have lived at any other time. Their literary artists, Corneille, and then Racine and Moliere, appealed so strongly to their taste that they could not assign to them any rank but the first. They were impatient of the claims to unattainable excellence advanced for the Greeks and Romans. "The ancients," said Moliere, "are the ancients, we are the people of to-day." This might be the motto of Descartes, and it probably expressed a very general feeling. It was in 1687 that Charles Perrault--who is better remembered for his collection of fairy-tales than for the leading role which he played in this controversy--published his poem on "The Age of Louis the Great." The enlightenment of the present age surpasses that of antiquity,--this is the theme. La docte Antiquite dans toute sa duree A l'egal de nos jours ne fut point eclairee. Perrault adopts a more polite attitude to "la belle antiquite" than Saint Sorlin, but his criticism is more insidious. Greek and Roman men of genius, he suggests, were all very well in their own times, and might be considered divine by our ancestors. But nowadays Plato is rather tiresome; and the "inimitable Homer" would have written a much better epic if he had lived in the reign of Louis the Great. The important passage, however, in the poem is that in which the permanent power of nature to produce men of equal talent in every age is affirmed.